莎士比亚经典英文签名

莎士比亚经典英文签名（精选7篇）

篇1：莎士比亚经典英文签名

37、There is nothing either good or bad, but thinking makes it so. (Hamlet 2)世上之事物本无善恶之分，思想使然。——《哈姆雷特》/没有什么事是好的或坏的，但思想却使其中有所不同。

38、Don’t gild the lily.不要给百合花镀金/画蛇添足。

39、The lunatic, the lover and the poet are of imagination all compact. (A Midsummer Night’s Dream 1)疯子、情人、诗人都是想象的产儿。——《仲夏夜之梦》

40、I would like now to seriously indifferent room of wonderful我只想现在认真过的精采 无所谓好与坏

41、You gods divine! Make Cressida’s name the very crown of falsehood, if ever she leave Troilus. (Troilus and Cressida 2)神明啊!要是有一天克瑞西达背叛特罗里斯，那么就让她的名字永远被人唾骂吧!——《特洛伊罗斯与克瑞西达》

42、Love is blind and lovers cannot see the pretty follies that themselves commit. (A Merchant of Venice 6)爱情是盲目的，恋人们看不到自己做的傻事。——《威尼斯商人》

43、In delay there lies no plenty, and then come kime, sweet and twenty, Youth’s a stuff that will not endure.迁延蹉跎，来日无多，二十丽姝，请来吻我，衰草枯杨，青春易过。

44、We cannot all be masters, nor all masters cannot be truly followed. (Othello 3)不是每个人都能做主人，也不是每个主人都能值得仆人忠心的服侍。——《奥赛罗》

45、The empty vessels make the greatest sound .满瓶不响，半瓶咣当。

46、Sweet love you, precious, I disdained the situation with regard emperors swap你甜蜜的爱，就是珍宝，我不屑把处境跟帝王对调

47、O, what may man within him hide, though angel on the outward side! (Measure for Measure 2)唉!一个人外表可以装得像天使，但却可能把自己掩藏在内心深处!——《一报还一报》

48、A little more than kin, and less than kind. (Hamlet 2)超乎寻常的亲族，漠不相关的路人。——《哈姆雷特》

49、My only love sprung from my only hate ! (Romeo and Juliet 5)我唯一的爱来自我唯一的恨。——《罗密欧与朱丽叶》

50、Love to talk about a bit of a surprise to people to learn the total patient injury谈一场恋爱 学会了忍耐 总有些意外 会让人受伤害

51、Do not, for one repulse, give up the purpose that you resolved to effect.不要只因一次失败，就放弃你原来决心想达到的目的。

52、Better a witty fool than a foolish wit.-Shakespeare宁为聪明的愚夫，不作愚蠢的才子。-莎士比亚

53、O, she dothe teach the torches to burn bright! (Romeo and Juliet 5)啊!火炬不及她那么明亮。——《罗密欧与朱丽叶》

54、O, beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on. (Othello 3)主帅啊，当心你会嫉妒，那可是一只绿眼的妖魔，它惯于耍弄爪下的猎物。——《奥赛罗》

55、Do not , for one repulse , give up the purpose that you resolved to effect .不要只因一次失败，就放弃你原来决心想达到的目的。(英国剧作家 莎士比亚.W.)

56、Fair is foul, and foul is fair. (Macbeth 1)美即是丑，丑即是美。——《麦克白》

57、Sweet are the uses of adversity. (As You Like It, 1)逆境和厄运自有妙处。——《皆大欢喜》

58、O, how bitter a thing it is to look into happiness through another man’s eyes! (As You Like It)唉!从别人的眼中看到幸福，自己真有说不出的酸楚!——《皆大欢喜》

59、Words can not expretrue love, loyalty behavior is the best explanation。真正的爱情是不能用言语表达的，行为才是忠心的最好说明。

60、Better a witty fool than a foolish wit.宁为聪明的愚夫，不作愚蠢的才子。

篇2：莎士比亚经典英文签名

宁为聪明的愚夫，不作愚蠢的才子。 (英国剧作家 莎士比亚. w.)

a light heart lives long .

豁达者长寿。 (英国剧作家 莎士比亚. w.)

do not , for one repulse , give up the purpose that you resolved to effect .

不要只因一次失败，就放弃你原来决心想达到的目的。(英国剧作家 莎士比亚.w.)

in delay there lies no plenty , then come kiss me , sweet and twenty , youth’s a stuff that will not endure .

迁延蹉跎，来日无多，二十丽姝，请来吻我，衰草枯杨，青春易过。(英国剧作家 莎士比亚. w.)

the time of life is short ; to spend that shortness basely, it would be too long .

人生苦短，若虚度年华，则短暂的人生就太长了。(英国剧作家 莎士比亚. w.)

don’t gild the lily.

不要给百合花镀金/画蛇添足。 (英国剧作家 莎士比亚 . w .)

the empty vessels make the greatest sound .

篇3：莎士比亚经典英文签名

关键词：莎士比亚,奥赛罗,伊阿古,悲剧,动机,利己主义

As known to all,Othello is one of the four great tragedies of Shakespeare.Since the play was titled Othello,readers may get a first impression that Shakespeare spent most words characterizing Othello;however,Iago was portrayed much more specifically and vividly as a protagonist,for he spoke more lines than Othello and had plenty of soliloquy to tell the reader what was on his mind.Being offensive and malcontent for Othello's promotion of Cassio,Iago successfully tricked Othello to demote him later.His second scheme,which occupied the last three Acts of the play,convinced Othello that his wife was having an affair with Cassio.Therefore it is Iago who directed the tragedy,manipulated all others'behaviors at will and trapped them into an intricate net of lies.

1 Iago's Motives to Direct the Tragedy

In the final scene,Iago's intrigue would have succeeded except for his wife Emilia's exposure of his lies.When asked for an explanation for his malicious behaviors,Iago just said,'Demand me nothing.What you know,you know.From this time forth I never will speek word."[1]102These are his final lines before the execution,however,just because Iago did not say anything to purge himself from guilty;it aroused readers'greater interest to explore his real motive to direct this tragedy.

1.1 Failure to be promoted–direct reason

In Act 1,scene 1,Iago himself stated that his prime motivation was bitterness at the failure of promotion,and he would not have been so furious if Othello had promoted someone else with distinctive military talent and glorious exploit instead of Cassio.He used to be very confident about his ability to the promotion,and he used to believe he should be the only person that Othello trusted.Therefore,the loss of promotion as well as meant the loss of Othello's trust.It was also the reason why Iago's hatred never deceased bu swelled after he successfully made Othello demote Cassio.And o course,there would be many other factors that triggered Iago's endless revenge.

1.2 Racism

Although Othello was Iago's superior,Iago despisesd him in deep heart,because Othello was a black,a moor.In Act I,Scene 1Iago used this to offend Desdemona's father by stating'an old black ram is tupping your white ewe"[1]7.And Iago also reminded Othello of his race,knowing that even Othello himself would sometimes consider it as a kind of defect,then it would be easier to convince Othello that his wife might not love him one day.In this way,without any concrete evidences,Iago successfully managed to shake Othello's trust to his wife.He had made good preparation for his following revenge scheme.

1.3 Jealousy and egoism

As mentioned previously,it was not the position as lieutenan that Iago really wanted to have.Otherwise the tragedy would come to an end when Cassio was demoted.Essentially,Iago was totally blinded by a strong sense of jealousy,suspicion and insecurity so that he could only see the ugly nature of human beings.At the end of Act I,scene 3,it was very ridiculous that Iago even doubted Othello might have slept with his wife Emilia:'It is thought abroad that'twixt my sheets/He has done my office.I know not if't be true But I for mere suspicion in that kind Will do as if for surety."[1]22

Besides,all the elements such as discontentment,discrimination and jealousy revealed in the soliloquy can be concluded as egoism,which is the most precise elaboration of Iago's ultimate motivation and explaination for his ingratitude and viciousness on the people around him.The idea is fully supported through the speech.For example,in Act I,Scene 1,Iago's dialogue with Roderigo has fully shown his egoistic character:

O,sir,content you.I follow him to serve my turn upon him:We cannot all be masters,nor all masters Cannot be truly follow'd...Others there are Who,trimm'd in forms and visages of duty,Keep ye their hearts attending on themselves.And throwing but shows of service on their lords Do well thrive by them;and when they have lined their coats Do themselves homage.These fellows have some soul,And such a one do I profess myself...In following him,I follow but myself;Heaven is my judge,not I for love and duty,But seeming so,for my peculiar end.For when my outward action doth demonstrate The native act and figure of my heart In complement extern,'tis not long after But I will wear my heart upon my sleeve For daws to peck at:I am not what I am.[1]

To Iago,a normal and wise man should do everything for the good of himself and the friendship and love were totally vague and intangible.The value of Othello and other people's existence was that he could make use of them.[2]56

2 Iago's Talent in Directing the Tragedy

Despite readers'hatred to Iago,his talent for penetrating and manipulating people is undeniable.Maybe Iago was not as talented as Othello in military affairs,not as capable as Cassio in working performance,and not as rich as Roderigo Nevertheless,he was flexible,sophisticated and the only intelligent person in the play.He lied to everybody but at the same time he behaved as a best friend of them because he built a good mutual trustful relationship with everyone.And he fully made use of this interpersonal relationship to convince others that he was the only faithful friend that could help them then invaded their mentality shamelessly.Therefore Iago was very taltented in directing the tragedy,for he was such a machinator,words master,actionist as well as a psychologist.[3]85

3 Conclusion

Iago's self-destruction began with his self-conceit.[4]66Actual-ly,in the beginning,he never expected that the scheme wouldthreaten his life.He knew that jealousy was torturous,so he intend-ed to impose what he had suffered on others.But unconsciously,hefunctioned as a director to arrange other people's destiny because ofhis extreme egoism.In depiction of Iago,Shakespeare has demon-strated his astonishing perceptiveness to human inner world:the ea-gerness to power,the impulse to revenge and the thrill to implementof plot as well as his profound insight of the social and spirit crisisof humanism.References:

参考文献

[1]Shakespeare W.Othello-The Moor of Venice[M].Oxford:Claren don Press,2006.

[2]刘炳善.A Short History of English Literature[M].郑州:河南人民出版社,2007.

[3]中国莎士比亚研究会.莎士比亚研究[M].杭州:浙江文艺出版社,1984.

[4]任强.伊阿古——《奥赛罗》中的利己主义者[J].烟台师范学院学报,2004,21(2):65-67.

[5]张泗洋.莎士比亚引论(上)[M].北京:中国戏剧出版社,1989.

篇4：莎士比亚经典英文签名

关键词：莎士比亚十四行诗第18首 缺点 经典 分析

莎士比亚（William Shakespeare，1564-1616）的154首十四行诗（Sonnet）代表英语十四行诗的最高峰，一向为时人推崇。到目前为止，汉语全译本已达11本，选译本则更多。著名的译者有朱生豪（1912-1944）、朱湘（1904-1933）、屠岸(1923-)、梁宗岱(1903-1983)、杨熙龄和梁实秋（1903-1987）等。其中，最广为传诵的当属第18首，其美妙的比喻，精致的措辞和热烈的情怀，不知令多少学者和诗人叹服，赏析文字者莫不称颂其妙。然而，一般读者对该诗的看法如何呢？笔者给英语专业本科生和研究生以及非英语专业本科生教授英诗几年，从教学实践看，学生对莎氏十四行诗第18首表示欣赏的寥寥无几。经典诗歌不受大众欢迎是常见现象，人们往往归咎于时代和社会，或者归咎于读者，却很少对作品本身进行再审视，因为它们是“经典”。然而，笔者认为，有时经典作品本身的缺陷也是其不受大众欢迎的原因之一，以莎氏十四行诗第18首为例，以往从未有人指出过它的缺点，但笔者根据教学实践得来的体会，认为它至少有两大缺点，一是在音韵方面，其韵脚、头韵和韵格均不同程度的破坏了诗歌的音美和形美；二是某些比喻和描述的平淡或离奇破坏了诗歌的意美。

一、音韵参差，破坏了音美和形美

全诗的基本格律是五音步抑扬格（iambic pentameter），包括三个四行组（quatrain）和一个对偶句(couplet)，采用典型的莎氏十四行的韵式，即abab cdcd efef gg。但本诗音韵并不十分齐整。

在韵脚（end rhyme）方面，第二行的temperate与第四行的date押韵，但两个词的重音位置却不同，这一韵就既非阳韵（masculine rhyme）也非阴韵（feminine rhyme），显得不伦不类，与其它严整的韵对比，这一韵念起来令人颇感突兀，破坏了诗歌的音韵美。

头韵（alliteration）方面，第六和第七行都以And 起头，形成头韵，但这两个并列的简单陈述句从意义上看，造成了语意在同一水平上徘徊而不是递进，而且用相同的And起头使两句不仅在语意也在形式上显得拖沓而无变化，破坏了诗歌的音韵美和形式美。

韵格(meter)方面，五音步抑扬格的诗歌是常有破格的，特别是在诗歌首行的第一个音步，经常是前重音后轻音。适当的破格可使诗歌免于呆板，增加变化，使音韵更显其美。但过多的破格就会打乱诗歌的格式，使其音律显得零碎，给诗歌带来负面影响，本诗即是如此。第一行“Shall I compare thee to a summer’s day?”中的“thee to”是无法按轻重音的顺序来念的，第二行“Thou art more lovely and more temperate”中的两个more是强调，要念重音，因此这一行的韵格就不是抑扬格了。第六行“And often is his gold complexion dimm’d”中前两个音步的轻重音位置是模糊的。第十行“Nor lose possession of that fair thou owest”中的第一个音步可以看作是破格，第十一行“Nor shall Death brag thou wander’st in his shade”中的“Nor shall Death brag”重音和轻音顺序应是“重轻重重”，也不是抑扬格。可见，本诗因为破格过多，格律形式有点混乱，诗歌齐整的音韵美受到了损害。实际上，学生也经常反映这首诗歌读起来有些地方很拗口，主要就是因为韵律破格太多所致。

二、比喻和描述有时平淡或离奇，破坏意美

诗歌之美，不仅体现在音美和形美上，而且还有语意层面的美。通过语法、词汇或使用比喻等，可以建构诗歌的意美。本诗中有美丽的语言，如“darling buds of May”（五月的嫩蕊）、“eternal summer”（长夏）、“thou wander’st in his shade”（在他的暗影里蹉跎），但也有平常的比喻和描述，如诗中将“你”比喻为“夏季”，把太阳比成“天上的眼睛”，有“金色的面容”，这当然不是平淡的描述，但至少也不是新鲜的。而说死神能“夸口”，这种拟人的手法多少有些平淡了。诗中又说夏天有“租期”，租期又“太短”，则令人感到有些陌生，难有美感了。时光匆匆是人人皆知的常识，诗中用复杂的表述来说明浅显的道理，很难令人感到亲切，这样的比喻并未达到增强表现力的效果。这种将简单复杂化从而使人产生隔膜的例子还有“nature’s changing course untrimm’d ”以及“that fair thou owest”。而“And every fair from fair”则让一般读者感到很抽象，难以理解。“So long as men can breathe or eyes can see”也是一句很平常的散文句。

以上所述，是莎氏十四行诗第18首在诗艺上的缺陷。当然诗中古雅的用词和句法也会给普通读者带来阅读上的不适，但这是古今语言演变造成的隔膜，并非诗歌本身的原因，正如其多个汉译文，现在看起来也有时代距离感一样。莎士比亚十四行诗第18首是一首经典诗歌，其美妙自不待言，但是从另一个角度检视和观察，认识其缺点和不足，以避免盲目吹捧和过度美化，应该是对待文学经典的更全面因而是更可取的方法。

参考文献：

[1]梁实秋译.莎士比亚全集：十四行诗[M].台湾：远东图书公司，1968.

[2]杨熙龄译.莎士比亚十四行诗集[M].呼和浩特：内蒙古人民出版社，1980.5.

[3]梁宗岱译.莎士比亚十四行诗[M].成都：四川人民出版社，1983.11.

[4]屠岸译.莎士比亚十四行诗集[M].上海：上海译文出版社，1992.6.

[5]曹明伦译.莎士比亚十四行诗全集[M].桂林：漓江出版社，1995.

[6]虞尔昌（朱生豪的大学挚友）译.莎士比亚十四行诗集[M].台北：台北世界书局，1996.

[7]辜正坤译.莎士比亚十四行诗集[M].北京：北京大学出版社，1998.9.

[8]梁实秋译.莎士比亚全集：十四行诗（英汉对照）[M].中国广播电视出版社，2002.1.

[9]金发燊译.莎士比亚十四行诗集[M].桂林：广西师范大学出版社，2004.11.

[10]王勇译.莎士比亚十四行诗（英汉对照）[M].哈尔滨：哈尔滨出版社，2003.2.

[11]李鸿鸣译.十四行诗（英汉对照）[M].哈尔滨：北方文艺出版社，2005.12.

篇5：莎士比亚经典英文语录

1、爱一个人就是拔通电话时，忽然不知道说什么好，原来想听听你那熟悉的声音，不知道你 是不是在忙着，真正想拔通的只是自己心底的一根弦、有一个能够思念的人，其实也是一种幸福。

张小娴名句精选

我宁愿高傲地发霉，也不要委屈地恋爱。开始的时侯，我们就知道，总会有终结。狗不会瘦, 因为它不会思念。人会瘦, 因为他思念着别人。人总是被思念折磨，在思念里做一头可怜的流浪狗。

令人怀念的1980年代 村上语录

篇6：莎士比亚经典语录中英文对照

宁为聪明的愚夫，不作愚蠢的才子。

(2)A light heart lives long .

豁达者长寿。

(3)Do not , for one repulse , give up the purpose that you resolved to effect .

不要只因一次失败，就放弃你原来决心想达到的目的。

(4)In delay there lies no plenty , Then come kiss me , sweet and twenty , Youth’s a stuff that will not endure .

迁延蹉跎，来日无多，二十丽姝，请来吻我，衰草枯杨，青春易过。

(5)The time of life is short ; to spend that shortness basely, it would be too long .

人生苦短，若虚度年华，则短暂的人生就太长了。

(6)Don’t gild the lily.

不要给百合花镀金/画蛇添足。

(7)The empty vessels make the greatest sound .

满瓶不响，半瓶咣当。

(8)The course of true love never did run smooth.

真诚的爱情之路永不会是平坦的。

(9)Love, and the same charcoal, burning, need to find ways to ask cooling. Allow an arbitrary, it is necessary to heart charred

爱，和炭相同，烧起来，得想办法叫它冷却。让它任意着，那就要把一颗心烧焦

(10)Laughter is the root of all evil.

笑是一切罪恶的根源

(11)Love is the season Yizhenyin sigh; The eyes have it purified the lovers of Mars; Love it aroused waves of tears. It is the wisdom of madness, choking bitterness, it does not tip of honey.

爱情是叹息吹起的一阵烟;恋人的眼中有它净化了的火星;恋人的眼泪是它激起的波涛。它又是最智慧的疯狂，哽喉的苦味，吃不到嘴的蜜糖。

(12)Love is like a game of tug-of-war competition not stop to the beginning

爱就像一场拔河比赛 一开始就不能停下来

(13)I would like now to seriously indifferent room of wonderful

我只想现在认真过的精采 无所谓好与坏

(14)Bianguai people suddenly started a gentle love, love when people understand the deterioration of the niggling over

爱让人变乖 突然间开始温柔了起来,爱让人变坏 懂得了什么时候该耍赖

(15)Love to talk about a bit of a surprise to people to learn the total patient injury

谈一场恋爱 学会了忍耐 总有些意外 会让人受伤害

(16)If you understand the value of love and love you have given me I have to wait for the future

只要你明白 珍惜爱与被爱 我愿意等待 你给我的未来

(17)Sweet love you, precious, I disdained the situation with regard emperors swap

你甜蜜的爱，就是珍宝，我不屑把处境跟帝王对调

(18)No matter how long night, the arrival of daylight Association

黑夜无论怎样悠长，白昼总会到来

(19)Words can not express true love, loyalty behavior is the best explanation

真正的爱情是不能用言语表达的，行为才是忠心的最好说明

(20)Love is a woman with the ears, and if the men will love, but love is to use your eyes

女人是用耳朵恋爱的,而男人如果会产生爱情的话,却是用眼睛来恋爱

(21)I bogged down in a sea of blood back legs, unable to stop, go back, as far as like, people feel that there is no retreat. the future is a marshy area, people got in deeper and deeper

我两腿早陷在血海里，欲罢不能,想回头，就像走到尽头般，叫人心寒,退路是没有了，前途是一片沼泽地，让人越陷越深

篇7：莎士比亚经典语录中英文对照

2、Laughter is the root of all evil。笑是一切罪恶的根源。

3、Love is blind and lovers cannot see the pretty follies that themselves commit。爱情是盲目的，恋人们看不到自己做的傻事。

4、The course of true love never did run smooth。真爱无坦途。

5、The course of true love never did run smooth。真诚的爱情之路永不会是平坦的。

6、A proud man，the result is always the pride in his own destruction。一个骄傲的人结果总是在骄傲里毁灭了自己。

7、Do you not know I am a woman？When I think，I must speak。你难道不知道我是女人？我心里想什么，就会说出来。

8、The empty vessels make the greatest sound。满瓶不响，半瓶咣当。

9、All that glisters is not gold。闪光的并不都是金子。

10、The quality of mercy is not strained。慈悲不是出于勉强。

11、There is nothing either good or bad，but thinking makes it so。世上之事物本无善恶之分，思想使然。

12、To be or not to be，that is a question。生存还是毁灭，这是一个值得考虑的问题。

13、There are more things in heaven and earth，Horatio，than are dreamt of in your philosophy。天地之间有许多事情，是你的睿智所无法想象的。

14、Good name in man and woman，dear my lord，is the immediate jewel of their souls：Who steals my purse steals trash；’tis something，nothing。无论男人女人，名誉是他们灵魂中最贴心的珍宝，如果有人偷走了我的钱袋，他不过偷走了一些废物，那不过是些毫无价值的东西罢了。

15、Frailty，thy name is woman！脆弱啊，你的名字是女人！

16、A little more than kin，and less than kind。超乎寻常的亲族，漠不相关的路人。

17、The course of true love never did run smooth。真爱总要饱经历练。

18、Beauty，wit，high birth，vigour of bone，desert in service，love，friendship，charity，are subjects all to envious and calumniating time。美貌、智慧、门第、臂力，事业、爱情、友谊和仁慈，都必须听命于妒忌而无情的时间。

19、We cannot all be masters，nor all masters cannot be truly followed。不是每个人都能做主人，也不是每个主人都能值得仆人忠心的服侍。

20、Love’s not love when it is mingled with regards that stands aloof from the entire point。爱情里面要是搀杂了和它本身无关的算计，那就不是真的爱情。

21、In delay there lies no plenty，and then come kime，sweet and twenty，Youth’s a stuff that will not endure。迁延蹉跎，来日无多，二十丽姝，请来吻我，衰草枯杨，青春易过。

22、This above all：to thine self be true。最重要的是，你必须对自己忠实。

23、Keep up your bright swords，for the dew will rust them。收起你们明晃晃的剑，它们沾了露水会生锈的。

24、O，she dothe teach the torches to burn bright！啊！火炬不及她那么明亮。

25、It is not enough to help the feeble up，but to support him after。仅仅把弱者扶起来是不够的，还要在他站起来之后支持他。

26、The retention will never give up。该放弃的决不挽留。

27、Sweet are the uses of adversity。逆境和厄运自有妙处。

28、Love is merely a madness。爱情不过是一种疯狂。

29、The lunatic，the lover and the poet are of imagination all compact。疯子、情人、诗人都是想象的产儿。

30、To mourn a mischief that is past and gone is the next way to draw new mischief on。为了一去不复返的灾祸而悲伤将会招致新的灾祸。

31、No man or woman is worth your tears，and the one who is，won’t make you cry。没有人值得你流泪，值得让你这么做的人不会让你哭泣。

32、Ignorance is the curse of God，Knowledge the wing wherewith we fly to heaven。无知乃是罪恶，知识乃是我们藉以飞向天堂的翅膀。

33、Do not，for one repulse，give up the purpose that you resolved to effect。不要只因一次失败，就放弃你原来决心想达到的目的。

34、Blow，winds，and crack cheeks！Rage！Blow！吹吧！风啊！吹破你的脸颊，猛烈地吹吧！

35、Take but degree away，untune that string，and，hark，what discord follows！没有了纪律，就像琴弦绷断，听吧！刺耳的噪音随之而来！

36、Lord，what fools these mortals be！上帝呀，这些凡人怎么都是十足的傻瓜！

37、Sweet are the uses of adversity。苦尽甘来。

38、Why should a dog，a horse，a rat，have life，and thou no breath at all？为什么一条狗，一匹马，一只耗子都有生命，而你却没有一丝的呼吸。

39、How sharper than a serpent’s tooth is to have a thankless child。逆子无情甚于蛇蝎。

40、My only love sprung from my only hate！我唯一的爱来自我唯一的恨。