功夫熊猫学英语

功夫熊猫学英语（精选6篇）

篇1：功夫熊猫学英语

功夫熊猫英语作文

As summer movies get bigger and bigger, they often make the audience feel smaller and smaller. Kung Fu Panda is a simple and lighthearted exception. But in the movie, this panda isn’t just cuddly1; it’s an overweight dreamer.

Kung Fu Panda begins with a brilliantly colored dream. In the dream, panda Po imagines he’s part of the Furious2 Five, a group of elite3 kung fu fighters: a tiger, a mantis4, a bird, a snake and a monkey. When Po wakes up, though, he’s far from their ranks and can’t even conquer a flight of stairs. He’s the son of a noodle shop owner, a goose.“I don’t dream about noodles, Dad,” Po says. “I love kung fu.”

The Furious Five are led by the Master Shifu whose own guru, the turtle, Oogway, fears their nemesis5 Tai Lung will return and destroy their valley. All Oogway wants is peace in the valley.

To defend the valley and the Chinese town, Oogway must find the Dragon Warrior6 to fulfill an ancient prediction. As you might guess, Po is unexpectedly thrust into this role despite any evidence of talent, and the movie is essentially about whether he can live up to this destiny.

Animal heroes

The film is apparently not your typical Shrek or Toy Story copy but a real martial arts film.“Our way meant having animal characters as living embodiments7 of the original animal fighting styles of kung fu,” said director John Stevenson.“We didn’t want the kung fu in our film just to look like human beings wearing animal suits doing fighting.” Here are the moves of these animal kung fu masters and stars who gave them voices:

Po (Jack Black)

Traditional styles of kung fu aren’t a good fit for this giant panda. So, Po must embrace8 his true panda nature and use his physical attributes, including his large belly and rear end.

Jack: I liked the concept of it, you know, this innocent panda who has a dream of being a kung fu master but really is kind of a clumsy9 fool. I thought there was a lot of potential for humour in it. I didn’t really research very much. I just felt like the character was very close to me and I just had to look back to my youth, my innocent days, and I drew just from my own experience.

Tigress (Angelina Jolie)

Tigress strikes directly, using speed and power to destroy opponents’ defenses. Tigress is elegant, fighting honorably and never using her claws.

Jolie: I just look for, whether it be any project, something that I find about a character that I admire, that I like, that I think sends, you know, a good message, or something that’s got some strength to it.

So I loved that in a film like this, that I knew my children would see, that the boys would think it was really cool and love the whole movie but that also my daughters would, of course, have a good role model as a girl.

Monkey (Jackie Chan)

Monkey is the only one of the five to fight with a tool, usually a staff. Monkey confuses his enemy, striking at will10 from any position with speed, skill and passion.

Jackie: I don’t know cartoon. But when I make my action movies, just like cartoon, a lot of action, no violence, a lot of comedy, it’s clean comedy. Because I know there’re so many kids around the world. They like action movies. They like cartoons.

Viper11 Lucy Liu

Viper’s ability to change into any shape makes her nearly impossible to hit. She uses her lightning-fast reflexes to avoid blowers before she hits back.

Q: They film you when you are doing the voiceovers12. And they can take things that are characteristic of you and put them into the character. Did you see anything of Lucy in Viper?

Liu: Not really. I mean, her eyes are gigantic and, obviously she’s got a small mouth. I didn’t feel like I could see a lot of it. But I think that that’s the subtlety13 of when they do film you. There’re gestures that you’re not aware of when you’re talking, when you’re acting, when you’re doing things. You’re doing them and you do forget that the camera’s there. I think that’s what they want. They want what is natural to what you would do normally.

Shifu (Dustin Hoffman)

Shifu moves faster than any challenger. He uses the most force with the least effort. His signature move is the Wuxi finger hold, with which he can overpower an opponent with the touch of a finger.

Dustin: They put us in a room. We each have a microphone. It’s—you know, as you say, you’re isolated. And it’s a strange feeling, because acting is interacting, and here you can’t do that.

We start with nothing and then we slowly just get ideas and we let that begin to influence us. A moustache14, the way we part our hair or the way we dress—kind of the rhythm, the physical rhythm we have, and here that’s already created and now you come in and they would say to you, “We want you to fill that somehow,” and that was, I felt, challenging.

篇2：功夫熊猫学英语

功夫熊猫

I do not know why lots of Chinese people criticized a cartoon named .Perhaps just because this movie was made by a group of foreigners and we couldn’t.In my opinion, it is a really wonderful Kung Fu film.Not only art but also entertainment reaches a very high level.Especially in this movie Chinese conventional Kung Fu is designed vivid and interesting.How fantastic a cumbersome panda study Kung Fu? The panda who is named Bo is very “Wu li tou” which means cunning, funny and humorous in Cantonese.Of cause he dreamed to be a Master as the common Chinese people were and he realized it finally, although the process seemed magical and unexpected.In the end, Bo beat Tai Lang who was the villain in this movie and was advocated to be a hero by the villager.A master was born from that day.There are other animals in the cartoon played some minor roles such as tiger, monkey, crane and so on.They are also strong and fight for justice and well liked.These figures are designed from the Chinese conventional Kung fu which is called “Wu Xing Quan”.It makes people simulate animals’ act and fight like them.hirty years ago, Bruce Lee brought his Kung Fu movie and Chinese Kung Fu to the whole world.After that more and more foreigners loves Chinese Kung Fu.From the cartoon we can see their favorites about Kung Fu and Kung Fu has no boundary of country now.Both panda and Kung Fu are national treasure of China.So should we put them just in our country or show them to the outside.

篇3：看功夫熊猫 学英语从句

一、定语从句

1.One often meets his destiny on the road he takes to avoid it.

2.According to legend there was once a time when Master Shifu actually used to smile.

3.Tai Lung has escaped from prison! And you’re the only one who can stop him.

4.I cannot train you the way I trained the Five.

5.Po, I think it’s time I told you something I should have told you a long time ago.

二、状语从句

1.And then you will fulfill your destiny and take over the restaurant, just as I took over from my father who took over from his father. (方式状语从句)

2.When I was young and crazy, I thought of running away and learning how to make tofu. (时间状语从句)

3.Your mind is like this water, my friend. When it is agitated (使激动;使焦急;使不安;搅动) , it becomes difficult to see. But if you allow it to settle, the answer becomes clear. (when引导的时间状语从句和if 引导的条件状语从句)

4.The Panda will never fulfill his destiny, nor you, yours, until you let go of the illusion (幻想;错觉) of control. (时间状语从句)

5....but no matter what you do, that seed will grow to be a peach tree. (让步状语从句)

6.Maybe it can, if you are willing to guide it, to nurture it, to believe in it. (条件状语从句)

7.I eat when I am upset, okay! (时间状语从句)

三、主语从句

1.Whomever I chose will not only bring peace to the valley, but also to you.

2. It is said that the Dragon Warrior can survive for months at a time on nothing but the dew of a single Gingko leaf and the energy of the universe.

四、宾语从句

1.I sense the Dragon Warrior is among us.

2.You are too concerned with what was and what will be.

3.And Shifu has to destroy what he had created.

五、表语从句

1.But today is a gift. That is why it is called the “present”.

2.Master please, let us stop Tai Lung? This is what you train us for!

3.This is where Oogway unraveled the mysteries of harmony and focus. This is the birth place of Kung Fu.

六、从句中的从句

-I stayed because I thought if anyone could change me, could make me not me, it was you, the greatest Kung Fu teacher of all of China. (because引导的原因状语从句中有一个宾语从句, 宾语从句中有一个if 引导的条件状语从句)

篇4：功夫熊猫学英语

功夫高手过招，胜负只在毫厘。而功夫熊猫进中国后，票房破纪录，口碑创新高——赵孔合体和熊猫阿宝见招拆招，只一个回合就分出了胜负。神龙大侠不愧为神龙级，打酱油的终归是抱酱油瓶的。

心胸：

只能当中国草芥，不许成外国奶酪？

自从英国人用大炮轰开了清王朝紧闭的国门后，武力上的劣势慢慢让国人认同了中国文化的劣根。儒、释、道，那是蚀骨毒药；中医、针灸、武术，那是装神弄鬼；春节、中秋、端午，那是以吃为目的——上至文化精英，下至草根百姓，达成了共识：中国文化就是草芥，应该连根拔起。

晚清时有“洋务运动”，民国初年有“新文化运动”，建国后有“文化大革命”。“洋务运动”时倡导“中学为体，洋学为用”，在肯定西方文化的同时更肯定自己；“新文化运动”从西方拿来“民主、自由、科学”这些中国文化没有的基因，希望用西方文化来改良华夏文明，国人承认中国文化劣根但依然不离不弃；到“文化大革命”时，“破四旧”成为了主旋律，国人已不满足对中国文化低烈度改良，挥刀自宫，彻底砍断传统文化的脐带。

这些“运动”和“革命”看似是风风火火，其实是猴急猴急。就如同猴子下山，路过别人家的西瓜田，就毫不犹豫回家砍了祖传的蟠桃树，不管栽过树的地能不能种西瓜，也不在意自己的肠胃和西瓜合不合得来。

人家好莱坞有大片，于是我们也来：一艘名为《泰坦尼克号》的大船沉没，卡梅隆获得“世界之王”美誉；一只名为《无极》的馒头馊掉，陈凯歌成为“做人不能无耻到这个样子”的注脚——我们模仿别人拍大片时总是画虎不成反类犬。

人家日韩有偶像剧，于是我们也上：一部《东京爱情故事》让所有少男少女都恨不得生在东京，只求轰轰烈烈爱一次；一部《一起来看流星雨》，让所有瞥过它的人在看到流星时都会联带起一身鸡皮疙瘩——我们山寨别人拍偶像剧时，那些偶像都土得像刚洗脚上田的土著。

我们的影视工作者亟需聘请一位导师教会我们什么叫“以彼之道还施彼身”。在千呼万唤声中，《功夫熊猫2》来了，它用中国元素武装到牙齿。

片头交待故事背景，用的是纸做的皮影戏，宣传的是中国的传统手工艺；功夫熊猫阿宝习武之地青城山，用极富中国水墨画意韵的布景，边推销道教圣地，边向中国画致敬；沈王爷的王城凤凰城，其实就是凤凰古城版的《清明上河图》；沈王爷被驱逐后卧薪尝胆东山再起，灵感来源于越王勾践的个人传奇；羊仙姑的占卜方式，是对《周易》的活学活用；沈王爷收锅碗瓢盆大炼钢铁，可以联想到秦始皇“收天下之兵，聚之咸阳，销锋镝，铸以为金人十二”，也可以看成对大跃进时砸锅卖铁炼钢的反讽；沈王爷妄图一统中原，其实就是武侠小说中那些试图实现一统江湖梦想的武林盟主的缩影；阿宝练最高武学，开始无论如何也参不秀，在无心插柳时，偶然得之，这正合中国禅宗“顿悟”意境；阿宝手接炮弹的场景，和李连杰主演的《太极张三丰》一脉相承……

以虔诚之心拍出形神兼备的《功夫熊猫2》，竟然被称为“文化入侵”。人家电影中国元素一点没有，你会怪罪别人鼠目寸光，无视华夏文明；人家把中国元素运用得炉火纯青，你却呼吁同胞反抗文化帝国主义。的确，这是一种文化入侵，但是谁先谁后可得分清：当李小龙横空出世后，把“功夫”一词“殖民”到全世界，从那以后功夫电影就成为世界文化遗产的一部分。当成龙老得打不动了，李连杰慈善得不想打了后，中国功夫电影没落后，作为中国文化入侵的“受害者”，好莱坞主动承担了复兴功夫电影的重任。就如同电影中，当沈王爷发明大炮，功夫到了2012时，无论是谁，只要他能挺身而出，那么他就有资格成为神龙大侠，受到大家的尊敬。

说地道中国味的《功夫熊猫2》是对中国文化的入侵者，其心态就如《鹿鼎记》中“反清复明”的天地会：即使满人治理下的中国，百姓丰衣足食，也要推翻，因为他是满人；明王朝再腐败也要拥护，因为他是汉人的，神马逻辑？

眼界：

其实功夫和熊猫可以更美的

我们对于传统文化的态度，就如同面对年迈的老父亲，看到他时首先想到的是赡养的压力，于是像扔包袱一般把他们扔到敬老院。

我们尽的义务，仅限于在申报世界文化遗产时，把他们尽可能多地填上中国籍，然后就如同供祖宗牌位一样安在神龛里，有空时烧根香瞻仰瞻仰，没空时任蜘蛛在上面摆八卦阵。

然而，传统文化真的只有压力而不给力？只有成为草芥的份，没有成为奶酪的可能？在我们和历史诀别时，韩国人开始和我们争端午节、孔子和李白；在我们拆掉老房子的同时，欧美的驴友发现了丽江的风情，郎木寺的意韵；在我们包粽子一般让自己西装革履时，在外国人中唐装与旗袍暗地里蹿红。

那些传统文化，我们视若草芥，丢进垃圾堆后，别人捡到，经过整理和包装，在我们家门口叫卖。我们没有检讨自己的过失，却在指责别人向你挑衅？只许州官放火，不许百姓点灯，描述的是古代官员的飞扬跋扈；只能当中国草芥，不许成外国奶酪，“文化精英”对文化艺术下如此行政命令，神马思维？

幸好艺术品质不是行政命令能左右的，艺术有个性和立场，既然我们把豆包不当干粮，那别人就动你奶酪没商量。

拍电影就是烹调一桌大餐的过程，谁的色香味出众，谁就会吸引更多的食客。但是老是吃一种风格的菜，味蕾总有审美疲劳的一天。因此作为全世界影迷烹调“满汉全席”的主厨好莱坞，他开始放眼全眼全球，动所有人的奶酪。

当拍摄《末代皇帝》时，他“动”的是我们的二十五史；当拍摄《花木兰》时，他“动”的是我们的民间传说；当拍摄《杀死比尔》时，他“动”的是我们侠客梦；当拍摄《无间风云》时，他“动”的是香港的黑社会……

你不必受宠若惊，也无需愤愤不平。因为他动的不仅仅是中国一家的：拍《里约大冒险》和《速度与激情5》，他把抢奶酪的触角伸到了里约热内卢；拍《加勒比海盗4》，借用的是丹麦美人鱼。然而在被动奶酪的国家，没有人打广告抗议，更多的是表示欢迎：让奶酪被抢得更猛烈吧：《非诚勿扰》在日本取景，让去日本旅游的中国游客大增；《里约大冒险》中火辣的桑巴舞场景据说能促进巴西拉丁舞教师的出口……

曾经听过孔庆东的演讲，大意如下：中国制造最给力的宣传，是电影《2012》，因为电影中所有抵抗末世洪水的“方舟”都在中国四川制造。美国人拍电影无心插柳给我们做了植入广告——难道《功夫熊猫2》就没有为中国文化做贡献？他们不会平白无顾给你做插入广告。就像外商來华开工厂，他拿到利润大头，我们却拿到可以改善生活的工资。我们要做的，是要吸引外商来华投资，不应该抵制。

美国人用中国风拍《功夫熊猫》的情形，和中国唐朝时玄奘西天取经的经历异曲同工：玄奘取经，促进了以佛教为代表的印度文化的传播；同时唐玄奘的《大唐西域记》，因为其对古印度详实的记录，成为全世界研究古印度最重要的文献——玄奘印度取经，非但不是对印度“入侵”，反而让佛教更美好。

如今是娱乐至死的年代，电影产业是宣传一个国家最好的手段。《卧虎藏龙》走红后，西方说：一千个孔子顶不上一个章子怡。章子怡“入侵”西方，对中国文化的推销效果或许要超过所有孔子学院的总和。

功夫和熊猫，二者都是中国的瑰宝，但是二者的生存状态都很尴尬。风物长宜放眼量，不要在乎谁动了我们的功夫和熊猫，只要他们过得比现在好。

篇5：功夫熊猫英语观后感

Kungfu panda The panda named Po.He was so fat and he was lazy.Po worked with his father.His father named Ping.He was good at cooking noodles.The noodles is very delicious.One day,MR.Oogway will choose Dragon Warrior.Every one go to the temple.Po climbed hard that he was soon tired.At last he can got the top of the mountain.but he can’t look the Dragon Warrior.Then he take the firecrackers.Po fly in the sky.And he fell on the ground.The Oogway.chooses-yes, he chooses the hapless and pudgy Po.Po study kungfu very hard.At last he to defeat the Tai Lung.Po save the Valley Of Peace.Po was real Dragon Warrior.I like the panda best,because he is cute.I hope the Po can protect the Valley Of Peace.I think this is a good film.

.

篇6：《功夫熊猫2》

这一画面，给我的印象特别深。我深深的体会到浣熊师傅的用心良苦。师傅它以引食学功夫的方法来刺激熊猫学功夫的兴趣，熊猫也知道这是激起它学功夫的兴趣，但它没有放弃，而是更加勤奋和刻苦的坚持学下去。熊猫的这种不屈不挠的奋斗精神永远留在我的心中。同时我也从熊猫这种精神中想到自己的亲身经历的一件事。

那是一年寒假，妈妈认为我写日记方面很欠缺，便让我每天写一篇日记。我听后十分不情愿，每次三言两语就没了下文，最后彻底放弃了写日记，现在想起来都有些惭愧，与功夫熊猫中的主人公不能相比。如果我能这样坚持下去的话，那么现在我的作文肯定更加有长进啊！功夫熊猫能做到的事，我为什么就不能做到呢？从此我做什么事情都要坚持到底，不能半途而废了。通过观看功夫熊猫，我明白了这些道理，世上没有不可能的事，凡事都要相信自己，遇到困难不要轻易放弃机会，在以后的学习上，时时牢记功夫熊猫这部电影，以影片中的主人公为榜样，认认真真的走好每一步，争取成为一名对社会有用的人。

本片不得不说的，还有“中国风”因素。民族乐器的伴奏，中国的传说等等交织在这部梦工厂制作的电影之中，我觉得平衡点掌握地很好，并不会让中国文化过于西化，也让美国人更容易接受冰山一角的中国文化。

全片中充满笑料，幽默，不乏人生哲理。是一部值得看的好片。最核心的观点是宣扬一种精神胜利法——无论起点多么低，希望是永存的，只要不放弃，敢于做梦想，最终必能梦想成真，成功没有秘密，秘密就在于选择相信；面对困难，乐观幽默，时不时自我解嘲，它都是克服困难的好办法。如同迪斯尼的米老鼠诞生在二战、经济危机的时候，米老鼠成为当时最受欢迎的卡通人物，因为它的故事带给人们乐观和希望，让人相信，面对残酷的现实，要选择相信未来，心怀希望，乐观。美国的这部动画片继承了一贯的唯心观、美国梦、阿甘等乐观主义精神，在幽默和搞笑的氛围中，让你受益很多，很受启发

还是一贯的梦工场的高水准，画面精致细腻，人物生动传神，故事情节曲折动人，最重要的是它以最简单易解的方式说明白了一个道理，那就是——世界上没有任何捷径和秘籍，唯一的制胜法门就是相信自己。

不想再说更多的剧情，因为它真的很出色。看的过程中，频频出现人们会意的笑声，整个氛围相当的轻松和惬意。这个片子做得非常地道，一点儿也没有是由西方人演绎的感觉，不论是故事还是其中传达的意境，不论是画面还是其中的细节，都是东方式的；唯一特别的可能就是出现的现代的口语，比如ok之类的。

而这正是让我情绪低落的原因所在。只是觉得悲哀，不论是“功夫”还是“熊猫”，都是很中国的东西；水墨画，故事，也都很中国，可是为什么我们做不出这样的好东西呢？我们守着巨大的宝藏无所作为，只是眼睁睁地看着客人们熟练方便地自取自用，反过来赚我们的钱；西方人们

正在用外语讲述中国的故事，用外语教育中国的孩子，传达他们所领会的中国道理。这是不是一种可悲？

不知道是不是经济发展了以后，中国人讲故事的能力就下降了？没有了会编故事的人，没有了会创造的人，我们的大小银幕充斥的是一个个类似的剧情，或者是一个个仿造美国、韩国、日本的故事。这是不是一种可悲？记得小时候看过的《天书奇谈》、《葫芦兄弟》，都是想象力丰富的好动画，虽说当时的技术不发达，但是就算放到今天也仍然让人竖起大拇指；可是这么多年过去后，我们仍然只能用更新的技术去重演《葫芦兄弟》，这是不是一种可悲？

再看现在的大银幕，中国的商业片也在轰轰烈烈登场，然而剧情的空泛正是中国的大片败落的软肋之一。看看《十面埋伏》，看看《无极》，不论你的技术多现代，不论你的演员多善表演，没有好的故事，最终也只能沦为笑谈。

我想，现在是不是已经到了在花大力气培养好演员的同时，也要花更大的力气去培养好的中国的剧作家的时候了？

功夫熊猫观后感

“功夫熊猫”登陆全国院线，我也是观众之一。

影片以高水平的动画制作、幽默的语言对白和生动感人的故事情节征服了中国和全世界的人。本片口碑绝佳。无论苛刻的影评人，还是孩子们都高度评价该片。据说导演马克•奥斯波恩研究中国文化已达30年。“功夫熊猫”由西方制作，却充满了东方神韵。有报道：导演马克•奥斯波恩用了30年时间研究中国文化，制作这部影片历时5年。他的目的就是让全球观众更好地了解中国文化。功夫、熊猫、山水、太极、庙会、书法、针灸都是典型的中国符号；动物们吃的是面条和包子，用的是筷子；猴形、鹤形、蛇形、虎形、螳螂是中国传统武术中颇具特色的拳法。这是一部中国元素大全的电影。

本片的故事情节对于中国人来说非常俗套，是中国以往的功夫片中经常运用的“替师傅清理门户”情节。如果要是用人来演的话恐怕没人来看，但是用动物来演，影片就生动了不少，趣味性十足。这就是动画片和故事片最大不同！

其实影片给我最深印象的是“老乌龟”。联想到人的话它应该就是少林寺得道高僧的化身。影片中的“乌龟大师”宁静、慈善、睿智。对他的弟子耗子大师说“太郎会制造新的麻烦”；“你要宁静下来便可以知道事物真正的面目”；“该发生的必然会发生”；“你要学会相信”。对阿宝说：“昨天是历史，明天是谜团，只有今天是天赐的礼物”这些所有的一切都体现了，他是一个乌龟，他做到了乌龟的最高境界。他的话是一种对于自然的教诲，同时也反映了一种对于宿命式的唯心主义。

影片中耗子的大徒弟“大龙”，为了争夺秘籍，做神龙大师，不惜叛变师门…在影片的结尾当“大龙”真正得到了“秘籍”后，发现秘籍上一个字都没有，而秘籍像面镜子一样只能照到自己的时候，人们或许能明白，其实人真正要超越的就是自己！！