第一篇：梵宫导游词范文
无锡灵山梵宫导游词
各位游客，大家好!欢迎来到灵山胜境。灵山胜境是以佛教文化为背景的主题园区，以传承历史、彰显时代的特色，将传统的佛教文化与科技文明相互交融，形成了独特的旅游文化景观。
随着灵山三期开园，灵山胜境形成了佛、法、僧三宝的格局，佛是展现了佛祖四相成道的过程：出生、降魔、说法、涅槃;法代表佛法，是佛教中的精髓，以灵山梵宫、五印坛城、梵宫广场等景观展现。僧是以灵山禅修中心、慈恩宝塔、灵山佛学院等禅修为代表;整个景区以灵山大佛的大、九龙灌浴的奇、灵山梵宫的特构成了三大奇观。
刚刚我们了解了佛的一生，现在看到的就是佛法的展现，有金色梵宫、红色坛城、绿色广场、蓝色圣海。灵山梵宫是灵山胜境三期工程的核心建筑，因世界级佛教盛会应运而生。站在世界的高度，灵山梵宫不仅是一座全新地标式的会址建筑，更以她博大精深的文化内涵、美轮美奂的建筑形态、品类繁多的艺术瑰宝以及感触心灵的全新体验带给人们太多的感叹与震撼。走近她，以一种始终仰视的姿态。
站在梵宫广场，佛教三大语系的汉传、南传、藏传的特色建筑鲜艳夺目。在梵宫的正南面，与梵宫遥相呼应的建筑就是五印坛城。坛城占地面积约5000平方米，是藏传佛教风格的建筑，五印代表五方五佛，也代表佛的五种手印相，分别为：施无畏印、与愿印、说法印、触地印、定印。坛城代表佛的世界，我们在这建造五印坛城就是让大家感觉到佛的完美世界，登上坛城大家可以根据地面所画的标志绕着坛城走一圈，代表对佛的尊敬。
东南面是南传佛教中代表建筑---曼飞龙塔。屹立于曼飞龙塔基座上的主塔与子塔的整体造型，都是多层葫芦相垒形成的圆锥形体。 主塔居于塔基中央，8座小塔分布在主塔周围，形成八角之状。8座子塔的基座都有屋宇状拱门佛龛，佛龛宇沿有许多浮雕，人字形檐边上有许多装饰物，塔脊顶有一装饰小塔，龛内供有佛像。小塔中部主葫芦体上端是个莲花座，莲花座上又是一个长嘴葫芦体，极顶是一根穿着3个铝环罩的风铃杆。主塔下部是形似大葫芦底的圆形台阶，层层相叠，渐上渐小，形成一圆葫芦细腰，其上托着一只两台宝葫芦。 塔身以白色为基色，显示出多层立体感，造型美观，玲珑精致。
在坛城四周一圈的水面是香水海，这是根据佛经上记载大千世界中其中的一海，大千世界有九山八海，中间的为须弥山，香水海是中间的海，据佛经记载是注满香水的海，也代表佛教中的八功德水，正所谓太湖三万六千顷，八功德水绕灵山，如来百福庄严相，无量光明照世间。
梵宫广场面积16000平方米，正前方金色的建筑就是灵山梵宫，作为灵山胜境三期工程的核心建筑，整座梵宫共有三层，呈退台式布局，面宽150米，进深约180米，总建筑面积达7万余平方米。建筑外观以华藏塔风格为主，糅合了中国佛教石窟艺术及传统佛教建筑元素，集成了世界佛教三大语系的建筑精华，庄严神圣，雄伟壮观。顶部依次错落的五座巨大的莲花圣塔，是整个梵宫建筑的精神象征，其造型以敦煌壁画中的华塔为原型，并以现代建筑材料和意象造型手法传达着佛教经典中五智的意理，五智代表佛教中五方五佛，以毗卢遮那佛为首的五尊佛来阐释佛的功德。中心最高的佛塔代表最高境界的毗卢遮那佛
(法身佛)，以右至左分别是东方药师佛(发菩提心之德)、南方宝生佛(修行之德)、西方阿弥陀佛(成菩提之德)、北方不空成就佛(入涅槃之德)。至高可达60余米高的华塔高耸云端，在阳光的照耀下闪闪生辉，意念流转间，佛教经典《华严经》中描绘的莲花藏世界的意境和气息迎面而来，这依山而建的梵宫，更给人一种矗立山巅般的壮观与神圣之感。
走进灵山梵宫，首先是彰显修行功德、表达美好理想的三德门。根据佛经记载三德(智德、断德、恩德)是赞扬佛的功德，形容佛具有无上智慧、能够破除一切烦恼，救济一切众生的高尚品德。在三德门边的两侧，是福、慧门，祝福福慧双增。
带着神圣走进梵宫，震撼才刚刚开始。从门厅进入，经廊厅、主塔厅直至圣坛，一幅展示千年佛教文化的立体画卷徐徐铺展开来，每走一步都是开阔，每看一眼都是惊奇，每观一景都是感触。进入梵宫，我们可以感受到博大精深的佛教文化及精妙的艺术创造，里面汇集了当代知名艺术家和工艺大师的佛教艺术品，涉及绘画、雕塑、书法、木雕、铜雕、景泰蓝、金银器等，梵宫内部主要由门厅、廊厅、塔厅、圣坛几部分组成，主要特点是美仑美奂、气势磅礴、神圣震撼。
来到门厅，站在两层的门厅中央，门厅采用大量精品汉白玉雕琢而成，抬头仰望一面十余米长的刻漆贴真金《心经》书法壁画悬挂在门厅南立面的墙上，这是唐玄奘当年奉旨翻译的，是佛经中最短的一部经文《般若波罗密多心经》，这是根据清代大书法家邓石如在扬州大明寺石碑篆书拓本与精湛的刻漆技艺揉为一体的作品，来不及细细体味，清净之意早已油然而生。 它采用了扬州漆器中的刻漆贴真金工艺，在制作过程中经过刻、铲、批、作、贴、撒等六大程序，首先在制作好的漆坯件上，运用各种刀具刻成各类画面，然后根据画面要求填选所需色彩，采用贴金箔、撒螺屑等装饰手法使其成为精美的艺术品。而每项程序都延续了传统的手工制作技艺，自有其细致精妙之处。它耐水、耐热、耐磨,光泽度好,在灵山梵宫内将给大家展现多处这样精美的漆器工艺作品。在门厅的顶部还有四个藻井，藻井是覆斗形的窟顶装饰，中心向上凸起，四面为斜坡，成为下大顶小的倒置斗形。一般藻井处于石窟内中央顶部，使石窟窟顶显有高远深邃的感觉。这四个藻井采用的是传统的东阳木雕工艺，选料为楠木，在整个三期灵山梵宫的内部装饰中运用了大量的楠木进行了东阳木雕的展现。
我们现在进入辉煌的佛教文化艺术长廊——廊厅，近百米长的廊厅为拱顶结构，两侧高大雄伟、雕刻精美的廊柱，向上看，廊厅藻井色彩变幻，在东阳木雕构建的卷棚间高悬的仕女飞天容貌秀丽，体态丰盈、飞袖飘逸，或弹琵琶、或吹玉箫，或捧香花，栩栩如生似携彩云飞之欲出，思绪也随之翩跹。在它的两侧墙面上，大家可以看到十二幅具有史诗意义的大型油画，以时间为序列，以佛教的传播、交流和当代佛教发展为主题，从鹿野苑初转法轮、灵山说法的佛教思想体系的形成与完善开始，到佛教传入中国的东传、西求的传播发展进程，再到近现代中国佛教中兴、传播、发展的概貌以及向欧美等西方国家传播的史实，一幅幅气势磅礴、庄严明朗的巨幅油画，清晰生动地展现了中国乃至世界佛教文化交流发展的历史进程和壮阔场景，具有强烈的视觉冲击力和心灵震撼力。这组大型油画组图，它由众多著名文化研究专家、著名画家联合组成的创作团队历经两年的艰辛付出后完成。画布宽3米、高6.82米，分为四大板块，每个板块由3幅作品组成，每幅作品独立成篇。前廊厅分别是六幅油画：
第一幅 初转法轮图
释迦牟尼佛菩提树下悟道之后，在鹿野苑首次讲法，为曾经伴随他六年苦行的五位侍者宣说四谛、十二因缘、八正道等真理，并为他们剃度出家，建立了第一个僧团。从此，佛、法、僧三宝具足，佛教初始形成。
第二幅 阿育王传播佛教图
公元前4—3世纪，印度孔雀王朝君主阿育王大力扶持并传播佛教，使佛教迅速传播到印度次大陆大部分地区以及周围一些国家和地区，佛教由此成为横跨欧、亚、非的世界性宗教。
第三幅 印度大乘佛教图
约在公元2—3世纪之间，被称为第二释迦的龙树菩萨，以及之后的无著、世亲等著名思想家，他们解经立论，各成体系，推动了佛教大乘思想的发展和传播，产生了深远的影响。
第四幅 佛教东传图。
根据《魏略》等书记载，汉哀帝元寿元年(公元前2年)，佛教经由中国西域传入中原地区。东汉永平年间(公元58—75年)，汉明帝曾经夜梦金人，并于公元68年建立洛阳白马寺供养从西域请得的佛像、经卷、高僧。
第五幅 西行求法图。
佛教传入中国之后，东传西行者就络绎不绝。他们在求学的同时，也将中国的文化传播到当地，促进了世界各民族文化异花授粉，斑斓多彩。其中，朱士行、法显、玄奘、义净等高僧的动人故事和丰功伟绩，传颂至今。
第六幅 八宗祖师图
隋唐时期，中国佛教相继创立了天台宗、三论宗、唯识宗、华严宗、禅宗、密宗、律宗、净土宗等八大宗派，各有思想传承，富有时代精神，推动了中国佛教与文化的繁荣。其中，禅宗是最富中国文化个性而且影响深远的，禅净融合成为当今中国佛教的特点。
大型油画的框架，采用了东阳木雕工艺，由中国工艺美术大师陆光正召集了10余位国家级和省级木雕大师共同参与设计，以平面浮雕为主，层次丰富、立体感强，有很浓郁的中国味。东阳木雕作品以不加彩绘、多用透明清漆涂罩，给人感觉色泽清淡，保留了原木天然纹理，格调高雅。木雕题材内容很丰富，人物、山水、花鸟等很注重创意和绘画性。廊厅的每根梁柱都雕上吉祥花纹和佛教故事图案。
抬头仰望，在顶部看到很多的飞天造型，廊厅顶部共有34个飞天，每一个长度都超过3米，一幅幅脚踏祥云、手捧香果、轻吹箫笛......精美飞天图腾是著名雕塑家张永保先生创作。飞天原是古印度神话中的娱乐神和歌舞神，后被佛教吸收为天歌神和天乐神，之后统称为飞天。飞天的艺术造型盛于唐代，敦煌飞天以传统的壁画、浅浮雕、线刻最为著名，而灵山梵宫的飞天则是采用了圆雕的形式，这在国内乃至世界上都是首创。让八方信众可以多方位、多角度地欣赏三维立体飞天雕塑。这些飞天造型采用了生漆脱胎的造像工艺，这种工艺距今已有1500年的历史了，每一个飞天的成品制作时间都在半年左右，整个制作过程全部由手工操作，取材和用料十分讲究，它经久不蛀、光泽度好、不开裂、不变形，而且轻巧坚固。生漆脱胎工艺的代表作是现存日本的一尊1245年前的鉴真大师坐像。 参观了前廊厅我们来到高达60余米的塔厅，塔厅是整个建筑的华彩部分，穹顶结构的
塔厅与花塔上下贯通，气势磅礴而宏大。站在塔厅向上仰望，高大的空间和精美的穹顶装饰令人惊叹，透光的花塔，使塔厅为顶光所笼罩，突显其宏伟和神圣，充分体现出佛教的博大精深与崇高。与之对应的塔厅中央地面盛开有一池莲花，池水微波粼粼，清澈见底，金色的莲花和荷叶盛开在碧绿的池水中央，便将人引入心似莲花开的高雅圣洁的清静境界。塔厅无处不雕花，弧形天顶及四周墙面装饰有大量的珍贵楠木为主材，雕刻精美的东阳木雕。四周墙面分布四组巨幅木雕以净、信、孝、和形式结合精湛的东阳木雕工艺，形象展示了佛教信仰的精神内涵，又极具视觉震撼力和感染力，是灵山梵宫中具有艺术文化双重价值，是反映当代佛教艺术成就的精品。抬头可以看到一个个形象逼真的伎乐天的和金光闪闪的大鹏金翅鸟。
整个梵宫装饰的木雕面积达15000平方米，用去1400立方米的原木，用了20多节火车车皮装运。梵宫木雕的体量之大，技艺之精都达到了前所未有的境地。 穿过塔厅进入后廊厅，在两侧同样有六幅巨型油画，分别是
第七幅 中国多民族佛教文化融合图
中国佛教是多民族文化相互交融的结晶。历史上，中原佛教曾与回鹘、党项、鲜卑等民族佛教文化亲密相连，相互影响，双向交流，共同发展成为中华民族文化中的一枝奇葩。
第八幅 汉藏两大语系佛教关系图
唐朝文成公主进藏与吐蕃王松赞干布结婚时，也带去了佛像和经卷，促进了佛教在当时西藏地区的传播和发展。之后，汉藏语系佛教文化不断交流，你中有我，我中有你，法脉相连，绵延不断。
第九幅 中国佛教传播图
自古至今，佛教成为中外人民交流的黄金纽带，中国佛教对朝鲜、韩国、日本、越南等国家和地区产生了深远的积极的影响。鉴真东渡，空海西行，一代代文化使者乘风破浪的传播着人类文明。
第十幅 近代中国佛教救亡图存。
近代以来，面对内忧外患，一批批志士豪杰们前赴后继，革新变法，中国佛教也走上了救亡图存之路。杨仁山舍宅创办金陵刻经处，兴办教育，培养人才;谭嗣同效法地藏，慷慨赴死;太虚大师奔走呼号，除弊利世;„„
第十一幅 近现代南传佛教运动
近代以来，南亚、东南亚等国家的佛教徒也积极参加了国家独立运动，一些佛教知识分子大力推动佛学研究与教育，探讨佛教振兴社会与民族文化的途径，希望用佛教来改造社会，带动民族文化的复兴。
第十二幅 当代世界佛教图景
佛教追求众生平等、和谐共生的理念，将成为世界和平与发展的一种文化支撑。世界人民，不分国度、种族、肤色、贫富、信仰，都将在心灵净化与众善奉行之中，沐浴着公平、祥和与智慧、光明。
走出廊厅，凝神处，镇馆之宝——琉璃巨制《华藏世界》跃入眼帘。以七彩琉璃打造的华藏世界华美异常，以毗卢舍那佛为中心的佛教极乐世界图景上，大量镶饰黄金、猫眼、翡翠、珊瑚、玛瑙、红蓝宝等珍贵的材质与精妙的工艺最终形成了有机融合、浑然天成的艺
术效果，表达了佛家净土的光明、智慧与圆融，既呈现出琉璃的绚丽多彩，又表现出七珍八宝带来的震撼，可谓文化与工艺珠联璧合的极品之作。华藏世界，又称为莲花藏世界。是从莲花里出生的清静和谐的世界。画面佛、菩萨的形象庄严，栩栩如生，火焰、佛殿、植物、祥云、莲花、动物、海洋等各种图案围绕佛、菩萨组成大大小小的世界，营造出了一个充满和谐欢乐、庄严慈悲的境界。主佛肌肤全部用真金打造，整个作品共用了15公斤黄金，500公斤白银，镶嵌有猫眼、翡翠、玛瑙、珊瑚等2万余件珠宝。整个琉璃作品用了近三个月的时间把将近100平方米的巨幅琉璃壁画，分割成160块琉璃一一烧制而成的。
琉璃是中国古代对玻璃的称呼，有人说它是在冶炼青铜器或炼丹时偶然间被提炼出来的，中国古代对有光泽透明得像宝石一样的材质称琉璃。琉璃都是用现在的水晶玻璃为原料烧制而成，烧制时添加不同的金属氧化物，所以呈现的色彩也不同。长度超过15厘米以上的琉璃工艺品，在烧制过程中很容易出现断裂，难度就会急剧增加。华藏世界的每块琉璃的长度和宽度在一米和半米左右，由此可见我们琉璃大师工艺的精湛。我们现在在光影的投射下可以看到，雕刻与切割面所产生的折射变化，琉璃的色彩自然流动，不愧是灵山梵宫的镇馆之宝!
现在我们来到的弧型长廊，向我们展示的是敦煌壁画，请大家抬头仰视，这六幅穹顶壁画称为《天象图》。采用唐代的风格，主色调为金黄褐色，继承发扬了敦煌壁画的特色，同时把它图形及颜色简约化，各图案既独立又有联系，彰显了东方佛教的艺术魅力。这是由敦煌美术馆馆长侯黎明主创，他和代表敦煌壁画创作最高水平的几十名画家，每天不间断地举着画笔仰头工作八小时以上，克服了各种艰辛，耗时四个多月，用心血和汗水，描绘了如此炫彩夺目的壁画，让我们才能鉴赏到这美丽崇高的传世艺术。《天象图》结合了穹顶独特的建筑形态，依据唐代不空法师所译的经书，以炽盛光佛，九曜星，十二宫等主要元素构成。我们可以看到中间圆心中的就是炽盛光佛，可以祈福消灾，外圈九瓣莲花中的是九曜星，再外是十二个圆圈，中间画的是十二宫，这三样主要元素分三个层次，排布在整个穹顶之中。四方是二十八星宿散布，以佛教中特有的飞天、莲花等图形有机结合，每个穹顶四角各有一飞天，守护四方。这天象图呈现四方天宇高朗明丽的情景，展现了曼陀罗意味的天象幻境。
在穹顶两侧我们欣赏到的是扬州漆器作品《飞天乐舞》圆挂壁、刻漆彩绘《多宝塔会》和《灵山海会》。
走到梵宫立体画卷的尽端，梵宫圣坛豁然于眼前。灵山梵宫中尽显神圣精华之处莫过于圣坛，我们现在来到的就是圣坛。作为世界佛教论坛的主会场，圣坛是一个集会议、演出于一体的多功能超大型剧场。剧场为圆形设计，建筑面积达35000平方米，可容纳1500名观众，是目前全国首个超大型旋转舞台。剧场上方是高度达30米的巨大穹顶，千余盏金光灿灿的莲花灯瞬间开启，刹那间千万盏明灯拱聚的圣坛，仿佛星光灿烂的天穹，仰望中，恍若置身浩翰的宇宙之中，绮丽而唯美。灯光变幻中，一场情境、意境、心境交融的音乐大典《觉悟之路》在如梦如幻的美妙景象中拉开帷幕。演绎了释迦牟尼充满传奇、漫长而艰辛的人生觉悟历程。天籁妙音间，一幕幕或神奇壮观或虚幻奇美的场景在时空变换中交替，人随其中，穿越过去、现实和未来的亿万年隧道，经历地狱、人间和天堂的世界转换，心灵在长廊楼阁和花草树木的恬淡中行走，在瞬息变幻的电光火石和狂风暴雨中历练，在时而飞升的万千彩蝶和神圣的菩提树下感悟生命„„当穹顶缓缓打开，一束金光穿云破雾，从天际
直泻而下，这场震撼心灵的大型情境演出。由林兆华、何训田、易立明等组成的国内顶尖创作团队，历时3年，采用目前世界最为先进的大型投影设备和数字灯光控制系统，以最完美的声、光、电三种形式综合演绎，与观者心灵产生无限共鸣的灵魂感应剧完美落幕——却在每个人的心灵深处留下了永不磨灭的印象。
我们现在来到了千人宴会厅，在这里每天将举行佛教用餐——过堂体验。过堂，是佛教中的用餐仪轨。僧尼吃饭都要过堂，早晨、中午到五观堂或斋堂用食。五观之意为：一是思念食物来之不易，二是思念自己德行有无亏缺，三是防止产生贪食美味的念头，四是对饭食只作为疗饥的药，五是为修道业而受此食。在寺院过堂时，住持和尚坐在堂中的法座上，僧众在两边就座。饮食之前，先要敲挂在寺庙走廊上的大木鱼(梆)和葫芦型铁板(云板)。梆是吃饭号令，又叫长鱼。鱼昼夜均不合眼，隐喻佛徒修行也应精勤不息，废寝忘食吃饭中间，如果需要添饭菜，应将空碗送到桌边，由服务员添，不可出声叫唤，碗筷应摆在桌边放齐。 请大家常怀一颗感恩的心，时时牢记别人为你所做的事，配合工作人员规范有序地体验过堂，感悟人生、开启智慧。
千人宴会厅没有使用一根立柱，可供千人同时用餐，正面展现了世界绝门、非物质文化遗产--浙江温州的瓯塑作品，作为中国传统艺术，它将堆漆艺术与现代立体壁画相结合，用油漆、白陶土及各种矿物质颜料为画料，形成了绘画和浮雕两位一体，远看一幅画，近看似雕塑，被誉为东方的立体油画。大型的《五彩荷花》、《荷花映日》由中国工艺美术大师周锦云先生创作，成为梵宫的传世艺术珍品。在人民大会堂浙江厅的《西湖天下景》是周锦云先生的代表作品。
灵山梵宫除了佛教文化艺术观赏区外，还按照举办国际会议的标准及要求设计配套建设有各种规格的大小会议室，备有多声道同声翻译系统、新闻中心及电视转播系统、贵宾专用通道及休息室、严密的保安系统、快速的应急系统、有效的消防系统、合理的疏散系统等，功能齐全，设施先进，能同时举办各种规模会议和相应主题的各种展览活动。会议场所分为汉传厅、南传厅、藏传厅，这是富有文化艺术特色的佛教专用会议场所。
灵山梵宫，这幅展示千年佛教文化的立体画卷已延伸至心底，宫殿般的建筑奇观，无与伦比的艺术享受、触及心灵的文化体验，一切仿佛刚刚开始，一切又仿佛永无止境„„
各位游客，聚天地之灵气、沐大佛之恩泽。此次灵山之行有缘感悟了佛、法、僧三宝，可谓功德圆满。畅游现代的佛教文化艺术和独特的旅游心灵体验，共勉众善奉行、诸恶莫作的修行，灵山更希望用每个人的力量倡导和谐的世界。心净则国土净、心安则众生安、心平则天下平。
满口的好话、满手的好事、满脸的微笑、满心的欢喜。
第二篇：【导游词】 个性导游词
下面讲解是关于倒要词一些相关范文，如果大家正在关于个性导游词语范文这方面内容，那么大家有眼福咯!希望各位都能够阅读以下文章哦!
最新山陕甘会馆导游词
各位朋友大家好，欢迎您来到山陕甘会馆，大家一路上辛苦了，我是您这次行程的讲解员，大家叫我小刘就可以了，山陕甘会馆导游词。非常荣幸能为大家提供服务，希望我的服务能够给大家带来一段愉快的旅程。
那么现在展现在大家面前的这座建筑就是照壁了，他素雅大方，雄伟壮观，高8.6米，长16.5米。照壁又称照墙、影墙，俗称影壁墙，它主要是作为建筑物前的屏障，挡住外人的视线，使之不能对院内的情况一览无余，同时又作为人们进入院落前停歇和整理衣冠的地方。此外，照壁还具有两个功能，防止金钱外漏和挡住小鬼进屋，因为传说小鬼只会直着走，用照壁的形式挡他一下他就进不来了。
那咱们会馆的照壁呢从上到下分为三个部分，最上面是庑殿顶。庑殿顶是中国建筑等级最高的一种屋顶形式，在故宫当中很多建筑都采用这种形式的屋顶，它是由一条正脊和前后左右四坡相交而成的四条垂脊构成，所以庑殿顶又叫做四阿顶或五脊顶。咱们会馆的木雕、石雕、砖雕技艺精湛、内容丰富，被成为会馆三绝，其中砖雕就主要表现在照壁上。咱们顺着房檐向下看一点儿，那四个突出的圆圆的叫做寿字纹梁头，它们将此部分分成了5个部分，中间又有两个龙形耍头把每个部分又分成了三个部分，所以砖雕的区域从左到右一共为15个部分。
那我们先从左往右数，在第二个区域中呢，我们看到一朵牡丹花插在花瓶当中，大家都知道，牡丹是富贵之花，那花瓶呢?在中国语言中啊有一种特殊的现象，就是我们把音相同的字认为是同意字，因为花瓶的瓶与平安的平相谐音，所以呢，牡丹花插在花瓶当中呢，就是富贵平安的意思了。那我们往右看第三区的位置，我们看到一只小狮子驮着一个宝瓶，狮子的狮与世代的世音相谐，所以狮驼宝瓶就是世代平安了。还有它旁边的那幅，也就是第四区的位置，我们看到两本书。其实这是古代商人记账所用的账本，上面开着的是进账的账本，下面合着的是出账的账本，进账账本压着出账账本，代表只进不出，也是表达多多赚钱，好运连连的愿望了。
从左往右数在第六个区域当中我们看到花瓶之后出现了一把宝剑，那这也很好理解，就是保平安的意思了。商人们在外经商，尤其是像咱们会馆都是山西、陕西、甘肃的商人可以说不远万里的来经商，出门在外，当然最希望的就是自己的家宅平安、财产平安了。那咱们接着向下看，就能够欣赏到咱们会馆的石雕了。相信大家看到照壁的第一眼就已经看到照壁中心的这个图案了。它是一幅二龙戏珠图，这幅图里面是圆的，外面是方的，外圆内方呢这也是对古人天圆地方说的一种具体反映了。我们看这两条龙爪托着的这颗珠子呢既不是珍珠也不是宝珠，也不是中国传统意义上的月明珠或者火焰珠，那如果大家仔细观察的话可以发现，它是一只有眼睛有嘴巴而且还倒挂着的蜘蛛。这蜘蛛，在古代又称为蟢子，是中国传说当中的喜乐之神，二龙戏蟢子，寓意着喜从天降、喜事到来。
还有一种说法是蜘蛛吐丝结网，这同商人的商业网络是非常相似的，也表达了商人网罗全国的愿望。旁边的忠、义、仁、勇四个大字是我市著名的青年书法家也是我市的副市长陈国桢先生精心书写的，这四个字也是对关羽一生的高度概括，说的是关羽一生对国忠、待人义、处事仁、作战勇，这也是为什么人们千百年来崇尚关羽关圣帝君的原因了。大家看身后的这座建筑，上面写着关庙俩字，其实呢这座山陕甘会馆最早是在清朝乾隆年间，由山西和陕西的商人共同集资修建的，后来随着光绪年间甘肃商人的加入，于是改名为山陕甘会馆。会馆的主要收入是靠商户的捐摊，其次就是靠房屋和土地的租赁收入了。当时的山陕甘会馆共计有房屋300多间，土地200多亩，我们现在所能见到的就是关帝庙的部分，还不到当时的五分之一。
参观完照壁后咱们继续向前走。穿过甬道后我们看到的左右两边对称的建筑就是钟鼓二楼了。古代重镇和大型的寺院内都设有钟鼓二楼。咱会馆这钟鼓二楼平面呈正方形，通高12.14米，是由四根通柱擎撑，二层以上又设有12根柱子，为重檐歇山顶，十分的华丽。咱们山陕甘会馆的是开封经过战乱水祸后唯一保存下来清代钟鼓楼，建于清道光年间，您在其他景点看到的都是后来才建造的。我们知道，古人是没有钟表之类的计时工具的，所以人们就以早晨敲钟、晚上击鼓的方式提醒人们时间，这就会让我们自然而然的想起晨钟暮鼓，又仿佛回到了那个日出而作、日落而息的年代。那鼓楼啊还有一个特殊的用途。据记载，鼓楼最早是北魏年间由县令李崇所建，当时是作为擒贼捉盗时传递信息的工具来使用。那咱们都知道烽火狼烟，它和鼓楼的作用也是相同的，但是却没有鼓楼这么方便。可以说，鼓楼是咱们中国人在信息传递上继烽火狼烟之后的又一大创举。
那看完鼓楼二楼以后呢，咱们回过身来看看咱们身后的这座建筑。刚才通过甬道时咱头上面的这个呢就叫做戏楼，上面的就是戏台了。一般较大的会馆都会有戏台，古代的戏台分为两种，一种是三面开口凸出式戏台，长什么样子呢，就是咱们会馆戏台的样子。观众可以从三面观看演员的演出。另一种为一面开口镜框式戏台，跟咱们现在舞台非常的相近。那咱们会馆的戏楼也有它的特别之处，它分为上下两层，上面演戏、下面可供行走，有行走演出两不误的功效。清代和民国的时候有许多名角都在这里演出过，尤其是在清代的时候，每逢正月十
三、五月十三和九月十三都会在这里演大戏来祭祀关羽。大家来看，这座建筑上最有意思的就是旁边的这两幅对联了：幻即是真，世态人情，描写的淋漓尽致;今世犹古，新闻旧事，扮演的毫发不差。台上笑，台下笑台上台下笑惹笑;看古人，看今人，看古看今人看人。由此看来戏楼确实演绎了人间百态。那我们会发现咱站在这里看戏呢时间久了就会感到脖子酸疼、非常不舒服。一向以建筑结构合理著称的中国古典建筑怎么会犯这种错不是错误，那么最佳的观赏位置又是在哪里呢?那我在这里先给大家买个关子，答案咱们待会儿揭晓。
个性导游词语范文
精选香山导游词
山公园位于北京西北郊西山东麓，东南距市中心28公里。最高点为香炉峰，海拔557米，俗称鬼见愁。
香山山顶有巨石两块，叫乳峰石。其形酷似香炉，周围又常有云雾弥漫，如袅袅升空的香烟，香山由此得名。 香山景色秀丽，名胜遍布，风光旖旎，极富自然野趣。秋来黄栌换装，漫山红遍，如火如荼，此即香山红叶，是燕京八景之一。香山冬天的景色也很迷人，每当冬雪初晴，一片银妆素裹，分外妖娆，旧燕京八景之一的西山晴雪就指这里。
香山寺，在香山公园内蟾蜍峰北。金大定二十六年(1186年)建，金世宗赐名大永安寺，为香山诸寺之首，静宜园二十八景之一。后遭英法联军和八国联军焚毁，仅存石阶，石坊柱、石屏等遗迹，唯有寺内的听法松依然屹立。 香炉峰，俗称鬼见愁。在香山公园西部。此峰高峻陡削，攀登不易，在峰顶可饱览香山全景。近年已建有缆车索道，牵引登山。 双清别墅在香山公园内香山寺下。这里原有两股清泉，相传金章宗时称梦感泉。清乾隆在泉旁石崖上题刻双清二字。
1917年熊希龄在此修建别墅，并以此为名。别墅淡雅幽静，山水树石顺其自然。清泉大聚一池，池边有亭，亭后有屋，屋旁有竹，竹影扶疏，秀丽非凡。在此春日赏花，酷夏避暑，秋观红叶，寒冬踏雪，四季景色绮丽，称为香山园中园。 眼镜湖，在香山公园北门内。两泓平静的湖水由一座白石拱桥相联，形似眼镜，故此得名。湖的北侧山石叠嶂，峰峦崛起。一洞之上，流泉直下，恰似珠帘垂挂的水帘洞。山花芳草在沟壑石缝和小溪池水旁争奇斗艳，古柏苍松、老槐垂柳交汇成一片清荫。 见心斋在香山公园北门内西侧，毗邻眼镜湖。建于明嘉靖年间，几经修葺，是座颇具江南风味的庭院。
香山庭院中心是一平圆形水池，清洌的泉水从石雕的龙口中注入，夏来新荷婷立，金鱼嬉戏。池东、南、北三面回廊环抱，内有一小亭伸入池中。池西有轩榭三间，即见心斋。斋后山石嶙峋，松柏交翠。整个庭院清静幽雅，使人留连忘返。当年乾隆帝曾在此读书和赐宴臣僚。
关于福建莆田九鲤湖导游词
各位团友，大家好： 现在由我为大家服务。
我们现在到达的九鲤湖景区位于仙游县东北隅约25公里的万山之巅，面积29平方公里，平均海拔590米。(因在万山之颠，道路崎岖、陡峭大家要注意安全，互相帮助。)这里以湖、洞、瀑、石四奇著称，尤以飞瀑为最，自古以来有鲤湖飞瀑天下奇之誉;明代大旅行家徐霞客把它与武夷山、玉华洞并称福建三绝。
九鲤湖的由来，还有一段传说：相传汉武帝时，安徽芦江有一个叫何任侠的人生了九个儿子，但除了老大额中间有一只眼睛外，其余八人双目失明。他们不肯参加淮南王刘安的叛乱，而被刘安派人追杀， 历尽千辛万难，来到今天九鲤湖所在的山峦之颠，并在此隐居下来修道炼丹、普济众生。有一天风雨大作、雷电交加，突然从湖中跃出九条鲤鱼，身的两侧长出翅膀，九兄弟知道鲤鱼吃了他们的仙丹要升天了于是各乘一条鲤鱼冲天而去，成了神仙。九鲤湖因此而得名。各位团友，现在展现在我们眼前的这座颇具中华民族特色的桥，被称为通仙桥，意为通往人间仙境之桥。也是为风景区的路口。
请大家往下瞧，溪床上那些奇形怪状的溶洞，大家看这些溶洞像什么形状?是不是像仙人炼丹时用的物品形状呢?传说这是仙人炼丹是留下的遗迹。有人曾经把染上颜色的稗谷倒进溶洞里，后来在莆田三江口林兰溪入海处发现了这些稗谷，你们说奇特不奇特?那这些溶洞究竟是什么原因造成的呢?其实这些溶洞乃是大自然的杰作，距今大约7000万年的燕山晚期，由于地壳深部的岩浆侵入，形成了花岗岩体，而花岗岩所含的矿物，经过发育后形成各种形态，在漫长的地壳变迁过程中，在外力的作用下，才形成如今这些溶洞。
团友们，眼前就是九鲤湖。整个湖呈圆形，直径67米。面积不到杭州西湖的十分之一，却可用小巧出雅四个字来形容。清晨、旁晚、入夜都有它的特色美景。为了纪念何氏兄弟而修建的这座祠宇，称为九仙祠。重建于宋淳熙年间，距今已有800多年的历史了。九仙祠又名显灵庙。
据说，九鲤仙人十分灵验，会给虔诚的人托梦指点迷津。因而历代以来,香客络绎不绝,连自称江南第一才子的唐伯虎在考场失意后,千里迢迢来到九鲤湖祈梦。据说，他在此梦得九鲤仙人赠给他一个装有一万条墨锭的囊袋。自此以后,他写的诗更加清新明丽,画的画更为传神。各位团友,九鲤湖的湖水虽迷人,何氏兄弟的故事虽然动人,但我们的九鲤飞瀑却更为吸引人。你们瞧,那石湖上方的进水处,就是第一祭-雷轰祭。此祭落差最小,但由于河床奇特,又不满溶洞,以致水流冲下的时候,发出深沉的轰鸣,声如洪钟,故称雷轰祭。现在请看,这就是石湖的尽头,由于巨石横卧,挡住了湖水的去路。湖水就怒气冲冲向前撞。因而这祭人们称之为瀑布祭。
各位团友,这便是珠帘祭和玉柱祭。大家知不知道黄山有个人字瀑?水在下落时被石脊分为两股,极像一个人字,古人称人字瀑。而玉柱祭的水向下流时,被一块突出的巨石截断。水下落时被溅起来的水珠在阳光的照耀下,像万穿断了线的珍珠飞落下来,珠帘也就因此而得名。玉柱祭以下,尚有五祭瀑布, 石门祭怪石嶙峋,一水斜回,有二石亭亭如门,欲合不合,欲开不开,下涌奔泉上凝云影。五星祭有五块巨石相拥如星,惟妙惟肖,因此得名。飞凤祭因泉水声如鸟语且有飞凤峰而得名。棋盘祭中有一巨石如棋盘,盘有一石如童子在观棋而名之。将军祭中有二石酷似两位勇士当关,故名之。
第三篇：故宫导游词(宝座)导游词
故宫博物院——宝座
各位游客朋友大家好，欢迎来到故宫博物院，我是导游小陈，故宫，本名紫禁城，始建于明朝永乐四年(1406年)，是明清两代24位帝王的宫殿，也是600年来中国皇权的象征， 紫，是古人心目中的王者之星——紫薇，来自天上。禁，是权力，来自于人，也施之于人。城，是这一片占地72万平米的宏伟建筑群。相传紫禁城有宫殿9999间半，实际上是8700多间，是我国也是世界上目前规模最大、保存最完整的宫殿建筑群。作为皇权的集中代表，这里的一土一木、一砖一瓦，无不投射出君临天下、皇权神授的气魄。
我想，最具有代表性的物件，莫过于我们眼前这座霸气十足的髹金漆云龙纹宝座了，这是故宫现存做工最讲究、装饰最华贵、等级最高、体量最大、雕镂最精的宝座。我们可以看到，它设在太和殿中央七层台阶的高台上，后方摆设的是七扇雕有云龙纹的髹金漆大屏风。它是明朝嘉靖(1522—1566)年间制作的，通高172厘米、宽158厘米、纵深79厘米。椅圈上共有13条金龙缠绕，其中最大的一条正龙昂首立于椅背的中央;椅面之下没有通常的椅子腿，而是一个须弥底座，在束腰的地方透雕双龙戏珠，满髹金漆。周围摆设象征太平有象的象驮宝瓶，象征君主贤明、群贤毕至的甪端，象征延年益寿的仙鹤，以及焚香用的香炉、香筒。而殿内靠近宝座的六根明柱和梁、枋上的群龙彩画，全用沥粉贴金。宝座上方的蟠龙衔珠藻井，也统统罩以金漆，更显出“金銮宝殿”的华贵气氛，足见坐上这个宝座的人是何等尊贵。
其实，宝座作为皇帝的专用坐具，无论在前朝还是后宫，也无论在紫禁城还是在离宫别苑，凡是皇帝所到之处，都要陈设宝座。有的宝座固定在殿宇中央地平上，与屏风配套，体形硕大;有的只是后宫暖阁木炕上设置的坐垫。其形式不同，规格有别，但体量明显大于一般坐具。宝座用材，多为紫檀木、黄花梨、酸枝木，装饰图案主要有龙纹、云纹、山水、花鸟等。明代的宝座在北京西华门外果园厂御用监制。清代宝座除了在造办处制作以外，还会由宫里出图纸到地方上去做，并由宫里派到地方的织造等官员来督办。宝座作为帝王的象征，被赋予了极高的地位。据说雍正皇帝还专门就宝座颁布过一道上谕。有一次，雍正帝发现，几个新进宫的太监在扫地的时候，挟持笤帚从宝座前昂然直走，全无敬畏之意。于是传谕乾清宫等处首领太监：要求凡有宝座之处，所有人经过时必存一番恭敬之心，急趋数步方合礼节，否则将严惩治罪。由此可见，在统治者心目中，宝座是何等神圣之物，见宝座如见皇帝。
那我们在参观故宫博物院时，不管是在三大殿，还是乾清宫、养心殿，或是在东西六宫，请各位在欣赏古代建筑、文物珍藏时，可对其他的宝座多多留意一下，注意观察一下各宫殿中各式各样不同的宝座，相信会有收获的。好了，关于宝座，我先介绍到这里了，接下来我们去看一看其他的珍贵文物。
第四篇：英语导游词：泉州导游词
泉州导游词
Overview of Quanzhou TouristryQuanzhou is a well-known hometown for overseas Chinese and a majority of the Han population in Taiwanese. The total population in the municipality is over 6.7 million. About 9 million of Han nationality in Taiwan are originally from Quanzhou. In recent years, the number of visitors from Taiwan, Hong Kong and Macao has been increasing. They come back for pilgrimage to their visit ancestors’ graves, visit their families and friends, make investments and conduct business and sightseeing. This has greatly promoted the social and economic development in Quanzhou.
Quanzhou is one of first 24 important national historic and cultural cities announced by the State Council. From Tang Dynasty to Yuan Dynasty, “Citong Port” in Quanzhou was one of the major ports for foreign trade. It was the departure point of “marine silk route” and enjoyed the grand reputation of “largest oriental port”. The city has numerous famous scenic spots, cultural and historic relics. Among 399 protected cultural relics in the city, 12 are of state level and 37 are of province level.
1.Chongwu Ancient Town “natural film studio” and “Beidaihe in the South”. It is located at Chongwu Township, the coastal jag in the east of Hui-an County.
The site covers an area of 300 Mu, winding along the coastline, composed of Chongwu ancient town, Hui-an women glamour, the granite carving museum, and Earth Art. The well-preserved T-shaped city wall of Chongwu ancient town is located on just the opposite of the scenic spot. It is regarded as “case of the ancient systematic civil work due to its unique architecture. The area has been listed by provincial tourism Bureau as the key construction project for tourism and announced by Quanzhou Municipal Government as the first batch of famous scenic spots, receiving over one million tourists each year.
2.Qingyuan Mountain Quanzhou is 2 km from the down town and directly accessible by bus. The sight is known as “No.1 Penglai Mountain in Fujian Province” and the “Back garden of Quanzhou”.
The scenic sight covers a total area of 62 km2, consisting Qingyuan Mountain, Jiuri Mountain, Lingshan secret tomb, and Xibeiyang. Qingyuan Mountain has three national key culture relics located on 8 sites. The most attractive site is the giant granite statue of an old gentleman, which is 5.63 meters high, 6.85 meters thick and 8.01 meters wide. Covering an area of 55 m2, it is the largest Taoist granite statue existing at present in China. In addition, there are also Islamic tombs in Song Dynasty, Qifeng rock calligraphy group on Jiuri Mountain, the granite statue of “Sanshifu (Three-generation Buddha)”of Tibetan Buddhism of Yuan Dynasty, the giant granite statue of “Amituofu”, and the Buddhist relics of Hongyi master, the senior monk in modern history, and the Buddhist relics of Hui-an native Guanqin master monk which is brought back from Taiwan. The mountain has gathered rock calligraphies of Taoism, Confucius, Buddhism, Muslim, Muni, as well as many fine calligraphy since Tang and Song Dynasties, hence the name of “Museum of Stone Carving”.
3.Ling Mountain Sacred Tomb
Fengze District Forest Park. It is the best protected Muslim relics existing in China.
Covers an area of 300 m2, the existing tomb is a pagoda shaped Islamic tomb, located in the north and facing the south. The tomb, measuring 2.15 meter long, 1.1 meters wide and 0.6 meters tall, is structured in three layers. On the east, west and north of the tomb are horse-shoe shaped protection cloisters for 9 chambers which are 11 meters wide and 1.04 meters deep. Inside the cloisters, there are 5 monument stones of different dynasties. In front there is a shining-green monument stone carved with Arabic language. On the right it is the monument stone which was laid when Zhenghe came to burn joss sticks before he started the 5th voyage expedition.
To the Arab world, the tomb on the Ling Mountain is the third important sacred tomb, next to Muhammad’s tomb in Mecca and Ari Tomb in Iraq.
4. Qingjing Mosque National key culture relics, it is located in the middle section of Tumen Street, Licheng District, covering an area of 2500 m2.
Qingjing Mosque faces the street in the South, with a pointed dome roof. The dome has three layers: inside, middle and outside. On the external wall, there is a statue on the top, which is carved with “Alcoran” in Arabic. The back wall of the mosque is carved with ancient Arabic script, recording the time of construction and repair and the builders. In the mosque, there is a stone carving of the emperor’s instruction about the protection of the Islamic mosque in Yongle Year 5 of Ming Dynasty (1407). On top of the mosque gate, there is a platform named “platform looking at the moon” which is built with bricks in the shape of dual-square.
5.Kaiyuan Temple National key culture relics, it is a 1000-year old temple, famous in China and overseas. Build in Wuzetian Chuigong Year 2 of Tang Dynasty (Year 686), the temple is Located in the west street of Lincheng District, Quanzhou, Fujian Province. The temple has a history of over 1300 years, covering an area of 78,000 m2.
Kaiyuan Temple is evenly laid in structure. Starting from the gate, there are the Hall of Heaven King, Praying Pavilion, east and west Corridors, the Precious Hall of Great Hero, Ganlujietan, and scripture store-room. The buildings are laid spectacularly and neatly in a line. Inside Kaiyuan Temple, there stood the east pagoda and the west pagoda, which are also called Ziyun couple pagodas. The east pagoda is named Zhenguo Pagoda, which was made from the wood initially and later replaced by the brick at the height of 48.24 meters. The west pagoda is named Renshou pagoda, which was built from the timber sent by Wang Shenzhi, the king of Fujian. It was named “emotal pagoda”. It was replaced by brick structure in the northern Song Dynasty and changed again to stone pagoda in the Southern Song Dynasty at the height of 44.06 meters. The west pagoda was built 10 years earlier than the east pagoda
6.Luoyang Bridge
A National cultural relics located over Luoyang River, 20 km northeast off Quanzhou. The construction of the bridge started in 1053 and was completed in 1059. Its length is 834 meters and width, 7 meters, with 31 piers. On the two sides of the bridge, there are fences, on top of which there stand delicately carved lion stone statues. The bridge is also decorated with 7 pavilions, 9 pagodas and knight statues standing at each end. With the unique architecture, the bridge is famous both at home and abroad and has gained the reputation of “No.1 bridge across the sea”.On the outside of the bridge, there are 500 carved stone railings and 28 carved stone lions, symbolizing 28 famous craftsmen; and 81 Buddha statues, including the Moon Buddha. On the north of the bridge, there is a courtyard, which is known as the No.1 courtyard in the south of Fujian Province.
7、Anping Bridge A national key culture relic located at Anhai Town of Jingjiang City, Fujian Province, access to the highway between Fuzhou and Xiamen and the national road No 324. Anping Bridge extends over the bay between Anhai Township of Jingjiang and Shuitou Township of Anhai. The construction of the bridge started in Shaoxing Year 8 of Song Dynasty (1138) and completed in Shaoxing Year 22 (1152). Made of granite piers, the bridge is 2700 meters long and it was the longest bridge in the ancient times, known as “no bridge would be longer than this bridge”. The construction of Anping Bridge is unique, because the original piers were designed in three different shapes: square, semi-boat, and raft. The foundation of the bridge adopted “sunken foundation covered by wood” and wooden piles respectively according to the different earth layer. The surface of the bridge was laid with granite slates of 5-11 meters long and 4.5-25 tons each. The bridge surface was laid by utilizing the rising and falling of the tide.
8.Shiniu Mountain the territory of Dehua, in the middle of Fujian Province and the southeast part of mid Daiyun Mountain range.
Shiniu Mountain is famous for its vicious cliff, strange-shaped rocks, strange-looked trees and mysterious caves. In the park, there are high mountains and a dense forest, with humid climate, excellent natural environment, and bio-diversity. It is a kingdom of plants and paradise of animals.
The major tourism attractions include the main peak of Niushi Mountain, Daixian double water falls, bamboo raft drifting on Taoxian Stream, rubber boat drifting on Shilong Stream, Tadou hot spring, Peach-flower Island, the relics of Fujian Provincial Committee building.
9. Niumu Forest Ecological Sightseeing Zone As a National AAAA scenic spot and provincial natural reserve, it is located at Xiayang town, the west of Yongchun County, Quanzhou of Fujian Province.
Niumu forest is the extension of Daiyun Mountain with an attitude of 1,105 meters. It is the largest and best preserved primary forest at present in South China. The main sightseeing area in Niumu forest ecological zone covers 1,000 ha, consisting over 40 scenic spots. The most famous sites are the ecological and scientific popularization museum, orchid garden, Yongchun Tangerine orchard, Qingqian Liule Garden, Cuckoo Castle, board root, strangled killing, parasitic cauline flower, Fujian phoebe trees, yew, foliage, Woniutan, Zhonglidizhu, Konggulaifeng. The entertainment activities offered for tourists include cable sliding at high altitude, grass ski fashion, mock hunting, standard shooting, archery, and jungle field operation.
10.Anxi Qingshui Crag
As National AAAA scenic spot and provincial-level culture relics, it is a tourist attraction and religious shrine, located on Penglai Mountain, 15 km northwest from the Anxi County suburb, the hometown of the Iron Buddha Tea. Covering a total area of 11.1 km2 with the peak reaching the altitude of 767 meters, it consists of the temple and pilgrimage zone, Qiyu (praying for rain) ecological zone, Qinshan Recreation zone and memorial zone. With convenience of transportation, it is about 70 km from Quanzhou, 100 km from Xiamen and 120 km from Zhangzhou. The existing temple was built after 1966 and Qingshui Crag is the burial place of Qingshui master monk, a famous monk in Song Dynasty. There is a belief of Qingshui master monk has a wide influence in the Southern Fujian province, Taiwan and Southeast Asian countries. In Taiwan alone, there are over 200 temples named Qingshui Crag.
Quanzhou Delicacies and Specialities
1.Quanzhou Glutinous Rice Dumpling of Meat Stuffing
The glutinous rice dumplings of meat stuffing are made in a dainty procedure. The ingredients are mainly glutinous rice, together with half-fat pork and other ingredients, such as taro, chestnut, bran shrimp, lotus seed, chicken, ham and bamboo shoots.
2.Quanzhou Yuanhetang Preserved Fruits and Vegetables
Quanzhou Yuanhetang preserved fruits and vegetables are traditional foods, made from different varieties of fruit and vegetables. They enjoy a great reputation all over the world for their sweet and pleasant taste. “Yuanhetang” is a 80-year-old firm processing preserved fruits and vegetables. Having the function of nourishing the stomach and spleen; promoting appetite, Yuanhetang products are regarded as the best selection for entertaining guests while drinking tea. Overseas Chinese originally from the Southern Fujian Province like to take Yuanhetang preserved fruits and vegetables back to their residential country while people in China like to choose “Yuanhetang” products as souvenirs for their overseas relatives and friends.
3.Anxi Tie Kuan-yin Tea
Anxi Iron Kuanyin Tea also known as heart Kuanyin tea and red shape Kuanyin tea. It is the top quality Wulong Tea, the famous tea produced in Fujian Province. The iron Kuanyin tea produced in Anxi County, Quanzhou Municipality contains a number of biological alkaline, vitamins and tannin, protein and aromatic oil. It has the special function of easing anxiety, improving eyesight, preventing arteriosclerosis and cancer, extending youth and mitigating radiation.
4.Quanzhou Puppet Head
Quanzhou puppets have a complete image in structure. The figures are widely selected from the figures and roles in the folk operas and legends, roughly divided into 5 major types: Sheng (male), Dan (young female), Jing (painted face, male), Mo (middle aged male), Chou (clown, male or female). There are over 300 puppet masks, which display beautiful shapes, vivid drawings, clear characters, unique artistic styles and local images.
5.Hui-an Granite Sculpture
Hui-an granite sculpture is a folk carving craftwork, made from top quality granite (shining-green rock) and carved finely into different sizes of delicate handicrafts, such as round carving, floating carving, line carving, and shadow carving. The granite sculptures produced in Hui-an can be either large as the size which should be lifted and installed by cranes or can be small as the size which can float on the surface of the water. They are beautiful in shape, fine in workmanship, unique in artistic style and strong in local characteristics. Hui-an granite sculpture has a history of 1600 years, well-known as the “home of granite sculptures”.
6.Hui-an Bear Gall
Fujian Guizhentang Pharmacy Development Co.Ltd utilizes the rich resource of bear gall from Qianshan Group and has developed Qianshan brand bear gall products, such as bear gall powder, bear gall health tea and bear gall capsules. The company uses the extracted substances from bear galls with other valuable Chinese herb medicine to develop different varieties of new medicines. Bear galls are bitter in taste and cold in nature, having the function of clearing the heat, relieving spasm, improving eye-sight, and killing worms. According to the Chinese medicine, bear gall is effective in curing red eye disease, sore throat, infantile convulsion of children, indigestion and pain caused by worms.
7.Laofanzhi Panacea Leaven
Laofanzhi Panacea Leaven is a processed traditional Chinese medicine, which is a light grey coloured block in aromatic smell and slightly sweet taste. Having the functioned in adjusting the stomach, nourishing the spleen, expelling wind-evil, settling indigestion, and promoting appetite, resolving wetness, it can be applied to treat flue and cold, heat exhaustion in summer, stomach-ache caused by indigestion and vomiting and diarrhoea.
8.Quanzhou Rice sculpture
“Zhauggaoren (rice figure)” is made of ground rice (glutinous rice), wheat flour and pigment. The skill of making the rice figures mainly relies on the dexterous fingers. The tools needed are also simple: small scissors, fine comb, gold paper, feathers, bamboo strap and iron thread. The figures made from the dough are generally taken from the stories in four famous major Chinese works, such as “The master travels to the west with his apprentice to obtain scriptures”, “Three brothers in the Peach Orchard”, “Twelve Golden hairpins” and “Wusong kills tiger”. The figures are vivid. After they are made, it takes several days for them to dry under the sunlight, and then paint with a coat of oil to make them shine and to preserve them for a long time.
9.Quanzhou Folk Colour cotta
Quanzhou Folk Colour Cottas are made from paper as figures of ancient operas. The work of making colour cotta is divided into standing work and sitting work. The standing work generally refers to making large scale works, such as “Giant Mountain” “Lingcuo” and “Colour Building while sitting work refers to making fine works, including famous figures, birds and animals. In modern colour cotta techniques, the material is earth, wax, plastics, cloth and silk to enhance the expressive force. The folk colour cotta in Quanzhou has a broad influence in China and overseas. The works of “56 ethnic groups”, “Hui-an maidens”, “Maidens form tea producing area”, “Girls from Fishermen Family”, “Lady of Southern Music” designed by Quanzhou JIngxiu Firm have won excellence prizes on the First China Tourism Souvenir Competition, and the prize of the best commodity on the First Fujian Provincial Tourism Fair.
10.Yongchun Painted Bamboo Baskets
Yonghcun painted bamboo baskets are unique traditional handicrafts produced locally. They are made from over 20 raw materials, including gold foil, fine bamboo skin, raw paint, Chinese wood oil, Xiabu, dongfen through over 30 procedures of moulding, boiling, lining, and painting for over two months. There are over 100 varieties of products including flat baskets, patterned baskets and full baskets, shaped in round, ridged, hexagon, oval, as well as fruit boxes and painted plates.
11Yogchun Paper Woven Picture
Yongchun paper woven pictures are a special traditional handicraft, initiated at the end of Sui Dynasty and the beginning of Tang Dynasty, with a history of over 1400 years. The pictures have been sent to over 40 countries for exhibition, presented to the foreign friends as souvenirs, and have become the “friendship envoy” for the promotion of the diplomatic ties. Yongchun County has been granted by the Ministry of Culture the title “Home of China Paper Woven Pictures” and listed for the protection under the “Folk Art Protection Project”.
12.Dehua Ceramics
Dehua ceramics is the traditional craftwork. It was started in the Tang Dynasty, developed in Song and Yuan Dynasty and made a breakthrough in Ming Dynasty. The white ceramics produced in Dehua have the reputation of being “white as snow, thin as paper, smooth as jade”. Dehua ceramics is famous especially for its statue of Kuanyin which was made by the senior master He Chaosong and named “Helai Kuan” after his name. The “Ivory White” ceramic statue developed by him is a valuable object unparallel in the world, known as the “crown jewel in the international ceramic sector”.
Quanzhou Folk Culture
1.Quanzhou Ceramic culture
“Dehua has many beautiful ceramics”, is how the Italian traveller Marko Polo described Dehua. Porcelain manufacture has a long history in Dehua. Well-known both in China and overseas for its top quality, fine workmanship, the porcelain industry in Dehua is regarded as one of the three major porcelain capitals in China, together with Jingde town of Jiangxi Province and Lilin of Hunan Province. In Ming Dynasty, the “Ivory White” ceramics developed by the great master He Chaozong surprised the world and was named “China White” by the westerners. People describe Dehua top white porcelain as “white as snow, thin as paper, bright as mirror” and describe Dehua Jianbai porcelain as “smooth and transparent as condensed lipid and frozen jade”. The porcelain Kuanyin made in Dehua is called “Oriental Venus”.
2.Culture of Hui-an women costumes
The costume culture of Hui-an women dates back into the ancient China. They wore a yellow scarf, a blue short blouse, silver chain and large trousers, which are unique in the national costume culture. The blue short blouse displays the colour of sea and sky, the yellow bamboo hats symbol the land and beach; the flowery scarf indicates the movement of mountain flowers and sea waves. The blouses are tight and short, exposing the navel, displays their characters of being bold, flexible, but extravert.
The costume of Hui-an women is always focused on the body above the waist, especially on the head decoration which differs in patterns, occasions and ages. When Hui-an women attend weddings or ceremonies, the head decoration should be bright and colourful to display the “happiness”. The old women of Hui-an usually have a bob on the back of the head and wear a black scarf with pins decorated with beads and flowers, which displays a unique style.
4.Quanzhou Opera Culture
Dacheng Play
Dacheng play is also named Fashi Play, Monk Play, Douist play and originated from the religion and folk activities in Quanzhou. Formed by combining Buddhist and Taoist activities, it is a religious play, rarely seen in China. The play provides religious services for both Buddhism and Taoism. Dacheng Play was born in Quanzhou and nourished by Quanzhou folk arts, and is especially deeply influenced by thread controlled puppet plays. After emerging as a new play, it has displayed its uniqueness in Southern Fujian folk operas due to its super Kongfu and technique.
Dacheng play is known for its kongfu which applies Quanzhou South Shaolin boxing. The opera has preserved lots of folk stunts, acrobatics and dances. By adopting Taoist and Buddhist music, and “Puppet melody” of thread controlled puppets, the music of the opera displays a unique religious charm.
Liyuan Opera
Quanzhou Liyuan opera is a rare and valuable opera in China, because it still preserves the characteristics of Southern opera from Tang and Song Dynasties. Originating in Quanzhou, it has spread to Taiwan and the Southeast Asian Countries in the footsteps of the emigrants from Quanzhou. Having preserved a large repertoire of southern opera from Song, Yuan and Ming Dynasties, Liyuan opera has been called the “living fossil” of opera and is one of the oldest operas existing in China.
Liyuan opera is sung by Quan melody. It has preserved a lot of important music from Tang Dynasty and Song Dynasty and is closely related with the ancient music -- Southern Tone. The music of Liyuan opera is mainly played by the bamboo flute and string music instruments.
Nanyin (Southern Tone)
Nanyin (Southern tone) is an old and beautiful music and is called the “root of the Chinese national music”. Quanzhou is the cradle of the Southern tone. It has become very popular, after it was enriched, matured and optimized by absorbing the strengths from Central China culture, Fujian culture and maritime culture. Embedded in Quanzhou, Southern tone has not only extended to Southern Fujian Province where Southern Fujian dialect is spoken, but also spread to the Southeast Asian countries, Hong Kong, Macao and Taiwan. By passing from one generation to another, it has become increasingly popular as a “home tone” full of strong passion for the loving the hometown and the motherland. Many Chinese and foreign scholars have complimented Quanzhou southern tone as the “treasure in the Chinese classic music”.
第五篇：东澳岛导游词导游词
东澳岛
大家好!今天我们一起游览珠海市东澳岛。珠海有146个岛屿，所以素有百岛之市的美誉。东澳岛以丽岛银滩入选珠海十大美景。
东澳岛位于万山群岛的中南部，面积4.62平方公里，是百岛之市珠海市海上旅游的经典岛屿。东澳岛植被非常茂盛，森林覆盖率高达82%，全岛非常完整地保留着原始自然的生态环境，自然风光独特，景色迷人。
东澳岛的蓝天、白云、青山和绿水巧妙地结合在一起，画卷天成，既有气势磅礴的豪迈海景，又有温婉秀美的林中小景，既有原始纯净的自然风光，又有悠远旷达的历史遗迹，既有多彩的陆上风情，又有神秘的海底世界，令人流连忘返。
“斧担山登高，蜜月阁眺海，大竹湾听涛，东澳湾观日”，构成了东澳岛绚丽的自然风光;南沙湾新石器时代遗迹，铳城的残墙、烽火台遗址和“武当胜景”的石刻舒展着东澳悠久的历史画卷;深海潜水、沙滩戏水、岸边垂钓以及环岛畅游则展示了大海的瑰丽与亲和;刚从大海打捞上来的海鲜和浓郁的渔村风情将使您的东澳岛之旅新奇、浪漫和舒适。
【东澳湾】
游船从茫茫的大海驶入东澳湾，并在该港湾登陆。据介绍，东澳湾因为在岛的东部有一块大的凹部，长达1200米，故称东澳湾。这是一个恬静的港湾，整个港湾最美是夕阳西斜，渔船归航之时。这里是戏水、赏景的绝佳场所。
【东澳村】
东澳村是岛的中心，也是岛上最热闹的地方，大部分的居民都居住在这里。试验区办公室，村委会，东澳小学，东澳信用社，邮电代办所都集中在这里，所以东澳村既是商业区也是岛上的政治文化中心。
【网箱养殖】
万山群岛以其丰富的水产资源而成为广东省六大渔场之一。20世纪90年代，当地兴起网箱养殖，现在则大都采用新型的沉箱式养殖。当地渔民养殖的都是名贵鱼种。其中有一种叫石斑鱼，喜欢生活在海底有礁石的地方，以小鱼为食。听渔民讲，喂7斤小鱼，这种鱼才能长一斤，再加上它的生长期长，所以有人说吃石斑鱼，往往能代表一顿海鲜的档次。
东澳岛海产丰富，光鱼类就有200多种，常见的就有70多种。其中，将军帽，狗爪螺，石九公被称为“东澳三宝”，美味无比。
【摩崖石刻】
东澳岛“武当胜景”和“万海平波”两处摩崖石刻，刻于清代嘉庆年间。当时，大海盗张保仔(招降后改名张宝)统领“五色帮”部队4万人以及4艘大船，打着“反清灭洋”、“劫富济贫”的旗号，称雄于南海海上。嘉庆元年(1796年)，他们据大屿山为巢穴，出入于珠江口，在东澳岛刻下“万海平波”、“上帝行宫”等字样。嘉庆十二年(1807年)以后，他们受清军征剿，撤离了东澳岛，据说，临走时，他们将18箱财宝埋在石刻附近。藏宝于何处，一直是个谜。
【石景长廊】
东澳岛上有许多天然的石景，对面山脚处有一位正襟危坐、醉眼惺忪的大佛正向我们微笑呢。它的头歪向一边，既像个小顽童，又似一名醉汉，这个景点叫“醉佛鼾声”。在港湾小道上，有块石头很像北京猿人，背负着沉重山体，注视着东澳湾。
【铳城烽烟】
这座古城堡名叫东澳铳城。它建于清雍正七年，即公元1729年，距今已有270年的历史了。东澳铳城曾驻清兵50人，用以对付葡萄牙殖民者和外来侵略者。作为虎门外第一道防线，
离铳城东南约20米处，临悬崖有一高2米、呈圆锥形的烽火台。烽火台里面有火膛、烟道。该烽火台是原始军事通讯设施，用于传递信号。烽火台于1987年被列为珠海市文物保护单位，成为珠海市的爱国主义教育基地。在这里还要向大家讲述三次著名的伶仃洋海战。
第一次战役：南宋末年，南宁大军，抗击元兵失败，文天祥在广东潮阳被俘。过伶仃洋时，他写下了《过伶仃洋》“惶恐滩头说惶恐，伶仃洋里叹伶仃，人生自古谁无死，留取丹心照汗青”的千古绝唱。
第二次战役：1841年2月26日，广州水师提督关天培抗击英军，不幸又以失败告终。
第三次战役：1950年5月，新中国人民海军成立后，第一仗又在这里打响。经过浴血奋战，万山群岛解放了。解放后，桂山舰登陆的所在岛屿更名为桂山岛。后人在岛上建立了桂山英雄登陆点、烈士纪念碑、文天祥塑像等，以供后人纪念和瞻仰先烈。
【镇海将军和将军石林】
云南有路南石林，东澳有将军石林。那就是镇海将军和他的将军石林了。威武的将军石日日夜夜监护着海面，保护这一方山水的平安。
【南沙湾】
南沙湾是万山群岛中最负盛名的沙滩泳场，有滩斜、沙白、水净、浪软的特点。宜泳、宜钓、宜泊、更宜海上娱乐。退潮时，还可以在那抓蟹拾贝，十分有趣。据考证，南沙湾附近有一处夏商时期的古沙丘遗址，距今已有三千多年的历史。
【斧头担山】
我们攀登的这座山峰叫斧担山，因山上有巨石似斧头而得名。斧担山海拔虽然只有135米，但上山的道路却非常陡峭，有1008级登山石阶。山顶 “蜜月阁”气势磅礴，犹如洞庭湖边上的岳阳楼。
【隐蔽洞库】
东澳岛历代都是兵家必争之地。在六七十年代间，驻岛部队在岛上修筑了许多军事工事。眼前的这个洞库，就是用来隐蔽侦察艇。
【求子泉】
踏过小道，穿过山洞，这就是东澳岛最负盛名的求子泉景区。这尊送子观音的汉白玉像，带给许多年轻夫妇无限希望。每到旅游旺季，就有不少善男信女来此参观并饮泉求子.，非常虔诚。
好了，我的讲解就到这里，谢谢大家对我工作的支持!